E.G. Daily is one of Hollywood’s most recognisable ladies, not only for her looks but for her unmistakable voice. She recently appeared on Zone Horror in the movies Mustang Sally's Horror House and Bad Dreams. We thought it was time to catch up with this multi talented actress to find out how she started in the business and what plans she has for the future.

ZH: How did you get started in the entertainment industry?

EG DAILY: Had an agent when I was 8, .didn’t know what I was doing for a long time. Learned on the way, started booking jobs around 15.

ZH: You appeared in some of the classic American TV shows such as Laverne & Shirley, CHiPs and Fame, were these good places to build your acting skills?

EG DAILY: Awesome learned a lot on the job, different sets, different locations.

ZH: What ... »

ZONE HORROR: You grew up on various Army bases, what was this nomadic style life like for you?

SYBIL DANNING: I actually enjoyed it. I loved seeing new places, meeting new people. Still today, I love travelling. I’ve been in many countries and while I love coming home to what I call my home now, Los Angeles, I always look forward to packing up and experiencing a new town, state or country. I think it has to do with being able to “adapt” which I learned early on. I see every “move” in life as an adventure. Maybe that’s why I call my company “Adventuress Productions.”

ZONE HORROR: You left school aged 14 to help support you family. How much stress did this put upon on you?

SYBIL DANNING: At the ... »

ZH: What attracted you to the acting profession?

Lois Winstone: The wisdom of self expression, to be able to create and portray such interesting characters, to put all anger and fear into one dynamic role, to show various emotion on screen and stage.

ZH: Where did you get your big break?

Lois Winstone: I guess I’ve been working as a performer and artist for some years now spreading out creative vibes is what I love to do. I started acting in my late teens and have progressively grown to acknowledge and admire the industry. Singing with my electronic Hip-Hop band “CRACKVILLAGE” has opened many doors for me and currently recording a second album. ‘Breaking through’ to what I know, is success, I believe only comes with the ... »

ZH: You’ve been a writer for quite some time, how did you get started in such a business?

KN: Seriously, I couldn’t get a job. I graduated (B.A. English, University of Sussex) in 1980, and spent three years applying for jobs and not getting anywhere. During that time, I did various homemade theatre projects, worked on fanzines, used a single contact with a regional film theatre to get a gig writing notes handed out at screenings and promotional booklets, kept copious notes on every film saw and sat in a bed-sit counting pennies. Eventually (1982), I sent sample reviews to the Monthly Film Bulletin and started getting a trickle of work from them – the MFB melded into Sight & Sound ten years later, and I still work for them. Then, I sent fanzine clippings an ... »

ZH: Have you always been interested in the movie industry?

BRAD SYKES: Well, when I was growing up, my parents took to me to see a lot of films – mostly sci-fi, fantasy, and adventure. One of the first films that left a big impression on me as a kid was Clash of the Titans – I can still remember that movie scene-for-scene. Around age ten or eleven, I started buying magazines like Fangoria and Cinefantastique, learning about filmmakers and discovering all kinds of obscure movies. A few years later, I bought John Russo’s “Making Movies, which was probably the first technical book about filmmak ... »

ZH: Can you set up the plotline for The Marsh?

JORDAN BARKER: The Marsh concerns a famous children’s author, a sort of J.K. Rowling or even Tim Burton kind of writer who becomes stressed out and decides to go on vacation. She rents a house that for some reason seems familiar and becomes wrapped in a supernatural murder mystery.

ZH: Was there a big budget difference between The Marsh and the first movie you directed?

JORDAN BARKER: Oh yeah (laughs). The first movie I did, (My Brother’s Keeper) the budget was around $350,000 which is still a good sum of money and we were able to do lots, we shot on film and probably had more than enough. For this one we had $4 -$5 million but it didn’t really feel that different.

ZH: ... »

ZH: Could you start by just telling us what you’re doing over here?

ROBERT ENGLUND: I’m here for my friend, Jason who normally has me here for his Collectormania in Milton Keynes, and I love it because we always stay in this little village in Milton Keynes in the shadow of Cleo Lane and Johnny Dankworth, I love Jazz, and there’s some great walking and hiking there and there’s a great pub! I’ve been doing this for years since Freddy Vs Jason came out. It was such a huge hit after all the other Nightmare on Elm Street films and I hadn’t really been seeing the fans for a while for I was doing family films ... »