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Exclusive: Director Johannes Roberts talks 'The Strangers: Prey at Night'
By Jemal Polson, Tuesday 1st May 2018

This weekend sees the release of a long-awaited sequel to one of 2008's most beloved slasher films. Yes, nine whole years after The Strangers premiered, UK cinema-goers will be met once again by Dollface, the Man in Mask and Pin-Up Girl in The Strangers: Prey at Night.

Starring Mad Men's Christina Hendricks, Bailee Madison, Martin Henderson, and Lewis Pullman, son of the late Bill, the film sees a family of four being stalked and tormented shortly after arriving on what was supposed to be a quiet family trip to a remote mobile home. The family must decide whether to take on the dreaded strangers hell-bent on wreaking havoc, or to run for their lives.

We had a chat with the film's director, Johannes Roberts (who also directed 49 Metres Down, The Other Side of the Door and Storage 24) about bringing the story to screen, what scares him the most, and his next project.

HC: You go way back with Horror and actually produced something for us in 2006. Can you tell us about the project, When Evil Calls?

JR:[Laughs] It ended my career for about 4 years! It was the world's first series for mobile phones, before smartphones. But it's also the world's last... People didn't know what the technology was gonna be [like]. We had to come up with a whole new cinematic language because the screens were so... they weren't smartphones. You couldn't shoot too close, [because] it wouldn't mean anything, but you couldn't shoot too wide either. It was kinda fun but the technology wasn't there.

HC: Strangers Prey at Night was originally due to come out in 2009. What took it so long to come to screens?

JR: It was just one of those things that got caught up in development hell, and then movies like The Purge sort of took everything from that movie. I think people felt it was kinda languishing really.

HC: Who's your favourite character in the film?

JR: Bailee [Madison]'s character Kinsey was a really good, but I just love the Man in the Mask.

HC: There are so many horror films that have alternative endings, and this film is no exception. Is that something you do to stop spoilers from getting out or is it something you love to do and think the genre celebrates?

JR: Neither actually - we shot the film and tested it, and I just felt like the ending wasn't quite landing. We had to do a few pickups anyway, so we just tried an alternate ending to see if it worked. I only ever shoot for what I need. It was really just because I didn't feel like we quite nailed it.

HC: We see a lot of weapons used throughout the film - what's the one weapon or death you haven't used in your films you'd be looking to make an appearance in a future title of yours?

JR: [laughs] I don't know. My next movie is set all in coffins and I've never done a buried alive.

HC: Who would you love to work with who you haven't already?

JR: Sam Neill, cause I absolutely love In the Mouth of Madness, and Kyle Chandler - cause I loved Friday Night Lights, and I keep trying to engineer a project for him [to star in].

HC: Last of all what scares you the most?

JR: Spiders!

The Strangers: Prey At Night opens in cinemas across the UK, Friday 4th May.


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Interview with Andy Nyman, co-writer, co-director and star of Ghost Stories
Posted on Monday 9th April 2018

I've met Andy Nyman on many occasions over the last decade or so, and over that time I've watched his career constantly go from strength to strength. To call him multi-talented would be an understatement and along with Jeremy Dyson has created the must-see horror movie of 2018, Ghost Stories. Here he chats about the stage play, Ghost Stories as well as how it changed on its way to the big screen.

HC: When did you first meet co-writer and co-director Jeremy Dyson?

AN: Jeremy and I met at a Jewish Summer Camp in 1981, and you just get thrown together in dorms of four people and Jeremy is from Leeds and all my family are from Leeds so I used to spend most of my weekends up in Leeds so we instantly ha...

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John Krasinski talks directing and starring in 'A Quiet Place'
Posted on Friday 6th April 2018


In case you hadn't heard, A Quiet Place has opened in cinemas nationwide.

The film, starring real-life couple, John Krasinski (US adaptation of The Office and 13 Hours) and Emily Blunt (Sicario, Wind Chill and The Devil Wears Prada) takes place in a post-apocalyptic(-ish) environment, in which strange wild creatures that hunt by sound have destroyed a significant amount of the population.

Krasinski and Blunt's characters, husband and wife Lee and Evelyn try to lead a life with their family as quietly (and by that we mean literally) as possible, in able to ensure their survival.

We sat down with the director and one half of Krasinski-Blunt to talk about the film, what scares him the most, and which...

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Interview with David Howard Thornton, star of Terrifier
Posted on Monday 26th March 2018

If you're a fan of slasher movies then you'll have to check out the bood-splattered shocker Terrifier. The movie is a full-blown, hair-raising homage to grindhouse slashers that introduces a new murderous icon in the form of Art the Clown. Art id surely destined to become a true horror anti-hero and here David Howard Thornton, the guy who plays art, chats about this brilliantly brutal movie and what he's up to at the moment.

HC: What movie or person inspired you to want to work in the film industry?

DT: I would say that would be the film Who Framed Roger Rabbit film wise. I was obsessed with that film when it first came out, and still watch it at least once a year when I need some inspiration. It meshe...

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Interview with Richard Elliot, Managing Director of 88 Films
Posted on Saturday 17th March 2018

Recently I've been lucky enough to review some rather tasty Blu-rays from 88 Films. This company has been behind amazing releases of titles such as A Cat in the Brain, Anthropophagous and Don't Go in the Woods...Alone. So I decided to chat to managing director Richard Elliot about 88 Films and how they survive in a cut-throat market.

HC: How did 88 Films start?

RE: 88 Films started after James and I met working for another label and it was the usual "we think we can do it better than the boss" scenario. So we slowly developed an idea of what we wanted to do after work down the pub and after lots of head scratching and pork scratchings and some setbacks BE Movies was born... which quickly became 88 Films...

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Interview with Paul Urkijo, director of Errementari: The Blacksmith and the Devil
Posted on Thursday 1st March 2018

One thing that Horror Channel FrightFest prides itself in is by championing new talent. This year's Glasgow event is no different with a whole host of newbies bringing their first features. A real highlight is Paul Urkijo's Errementari: The Blacksmith and the Devil which is a sumptuous piece that Terry Gilliam would be proud of. Here he chats to us about this stunning movie.

HC: Where did the idea for Errementari: The Blacksmith and the Devil come from?

PU: I was inspired by the Basque story "Patxi Errementaria". He was registered by JM Barandiaran, an anthropologist priest who dedicated his life to recording stories and legends of the Basque Country. It is a legend about a blacksmith who was so ev...

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Interview with Adam MacDonald, writer and director of Pyewacket.
Posted on Wednesday 28th February 2018

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HC: Have you always been a horror fan?

AM: It really started when I was about 7 years old when my older brother showed me Evil Dead. I couldn't believe what I was watching, it truly rocked me. The card scene in the film did not leave my mind for days. That film is stained on my brain. I was terrified. But then I had a realisation that I loved that feeling. It was primal. Then I watched The Shinin...

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Interview with Kelly Greene, writer and director of Attack of the Bat Monsters
Posted on Tuesday 27th February 2018

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HC: You were inspired to write Attack of the Bat Monsters when you were researching 50s movies, did it take long to write?

KG: It took quite a while because I was working 50 to 60 hours a week at a video production facility while raising a 2-year old and 8-year old, along with my wife, who was also working. I would write at night between 9 and 11pm, and maybe a little more ...

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Interview with Patrick Magee, writer and director of Primal Rage
Posted on Monday 26th February 2018

There's been a spate of "bigfoot-style, beast in the woods" types of movies recently but none have come anywhere near Primal Rage. This superior creature feature from Patrick Magee will be having its European Premiere at Horror Channel FrightFest Glasgow this Friday so I decided to have a chat with this very talented and creative person.

HC: Did you know from a young age you wanted to work in the film industry?

PM: Since a very young age I was always into, even obsessed, with movies. Specifically horror movies, monster movies really. As a hobby, I got really into special make-up effects and drawing. It got to the point where I was so obsessed with it, I decided when I was a teen that I ha...

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Interview with Gabriela Amaral, writer and director of Friendly Beast
Posted on Sunday 25th February 2018

As we get ready for the trip to Scotland for this year's Horror Channel FrightFest Glasgow I've been lucky enough to chat to Gabriela Amaral about her powerful movie Friendly Beast which is getting its UK Premiere at the event.

HC: Was there a certain piece of work or person that inspired you to work in the industry?

GA: Yes, there was. I am a huge fan of Alfred Hitchcock and I decided to study cinema because of him. In the beginning, I didn't know what would I do with movies. Would I be an academic? A film critic? A director? I just knew I had to live doing something that had to do with movies. I graduated in Communication Studies in Brazil where I studied horror movies and literature (specific...

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Interview with Ruth Platt, director of The Lesson
Posted on Wednesday 6th December 2017

On the eve of Horror Channel's network premiere screening of The Lesson, director Ruth Platt talks about the decision to quit RADA, why her film isn't 'torture porn' and what the future holds.

The Lesson received its World Premiere at FrightFest. How did you react when it was chosen? And what was the experience like?

RP: I was really excited when I found out we'd been picked - we got a call from the team, and they were passionate about the film, and they are such a knowledgable and experienced small team, Greg, Paul, Alan and Ian, and it meant so much. Especially when the making of it had been such an arduous and difficult process! I had no idea how people would react to the film - it was su...

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Interview with John Shackleton director of Panic Button
Posted on Wednesday 15th November 2017

As social media horror feature Panic Button gets a remastered DVD and Download release, writer and producer John Shackleton reflects on the film's inspirational journey.

To start at the beginning, what was the genesis or the seed of the idea for Panic Button?

JS: The model of how to make a film actually came before the concept. I'd made a short film with a group of trainees using a bunch of self-imposed restrictions for practicalities sake, to make sure we completed and delivered within the three-week timeframe of the training scheme, who were my employers. The rules were quite simple - no more than five minutes' walk from the office (we couldn't afford a van), no dialogue (we did...

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Interview with Damien Leone director of Terrifier
Posted on Saturday 28th October 2017

Ahead of the UK premiere of his latest film Terrifier at the Horror Channel Frightfest Halloween event today, director Damien Leone talks about the 'Art' of extreme clowning, his debt to Tom Savini and a terrifying Halloween experience...

Art, The Clown initially appeared in your 2008 short The 9th Circle, then the 2011 award-winning short Terrifier and in your first feature All Hallow's Eve. What made you decide to give him a fourth outing?

DL: Up until this point I never felt like I fully showcased Art's potential. I believe between the short films and All Hallows' Eve, there only exists about 20 minutes of Art the Clown screen time. For a character who's done so little, he seems to really resonate with horr...

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