ARTICLES

LATEST | FEATURES | INTERVIEWS | NEWS | FRIGHTFEST | REVIEWS

Interview With Chad Archibald Director Of Bite
By James Whittington, Monday 31st August 2015

Chad Archibald director of BiteBody horror is always a bit of a strange one to get right but director Chad Archibald nails it with his movie Bite. Here he chats about this supremely gross movie.

HC: Where did the idea for Bite come from?

CA: A while back, my sister in law came back from doing some animal rescue work in Guatemala and she was telling me what it was like living in the jungle. She had to sleep in nets because there were so many crazy insects everywhere. She showed me her arms and legs and they were just covered in bug bits and I just thought “Wow, you don’t even know what all these bites are from” followed by the thought “What if one of those just kept getting worse”. From there the idea evolved!

HC: Did the concept change much during scripting?

CA: I wrote a 10 page treatment and ran it by the fine folks at Breakthrough Entertainment who loved it. I sent that treatment over to Jayme LaForest and pitched him on the story. He dove in right away and pounded out a script in a few weeks. It’s a very simple story so the script stayed relatively close to the treatment but Jayme definitely added some great character development and some juicy moments in there.

HC: Elma Begovic gives a very considered and deep performance as Casey, how did she prepare for such a demanding and unusual role?

CA: She did great in the audition and we were very excited to be working with her. She is a fresh face and this was her first lead role in a feature so we chatted a ton about the character and how important body language would be in this film. We also had her in for a make up test before we started shooting so we could all see what she would be evolving into. Aside from that we worked fairly closely through it but I think as she transformed in make up, she physically didn’t recognise herself anymore and it became natural for her to really get into the role.

HC: The film is truly of the body horror genre and the effects are quite outstanding, how much of the budget did they eat up and how difficult was the shoot because of the amount SFX used?

CA: We have a micro budget on this film. One of the biggest challenges we faced when prepping for the film was to figure out how we could turn this set into a hive and fill it with eggs with the little amount of funds we had. As well because we were essentially ruining an apartment, we had to build a full set for it. Luckily our production designer Vince Moskowec and his team were amazing and were always coming up with ideas to make this place even more disgusting. Along with our effects team lead by Jason Derushie, supplying endless buckets of slime. The last element was the eggs. We had to find a cost effective way to get an endless amount of eggs that looked legit. We found these little pebbles that when you left them in water, they would grow into a small clear balls that looked great. I ordered a pack from Ohio and put them in a bowl of water in my bathroom over night. When I walked in the next morning, they were everywhere. I was like “THESE ARE PERFECT!” so I ordered 30,000 of them.

HC: There’s been some pretty outrageous news stories about Bite and the reaction it’s had from crowds; which ones stand out for you?

CA: I’m still so blown away at everything that’s happened with our little movie in the last month. At the same time, I’ve read some completely outrageous articles saying things like “It’s worse than A Serbian Film” which is just not correct. I look at Bite like a fun gross film, where it’s getting compared to some of the most extreme shock value morally incorrect films out there. I based this film on a few phobias that are very real and some people are very effected by them and some aren’t. I think Bite will gross some people out but for those it doesn’t, it’s just a fun sticky ride down the slimy slide of evolution.

HC: What state do you think the horror movie industry is in at the moment?

CA: I think everyone can make a movie these days so we are seeing some really inventive ideas coming out of the wood work. I generally look to festivals for horror films more than any of the stuff the Hollywood machine is pumping out. I think you don’t need tons of money to make a great horror film because horror is about concept, emotion, fear and not about star power. Every year I see new horror concepts that I think “That’s genius”. Every year it’s harder to create original ideas because so much has been done already but it’s exciting to see films that still found that new concept that’s just so unique and awesome. Exciting times.

HC: Do you get nervous when your films show in different countries?

CA: No but it’s always a little weird because you lived with this film for a long time without anyone seeing it, then suddenly it’s out there in the world exploring new countries and meeting new people. It’s like sending a kid off to school and thinking “I hope the other kids like him” “I hope they don’t beat him up” ha ha. Na it’s always exciting. I just wish I could go to other countries with it.

HC: What advice would you give to someone wanting to direct their own movies?

CA: I came from (and am still in) the DIY world so I always just say to go out and make as many mistakes as you can with whatever tools you have and when you feel ready to direct your first film, don’t wait on anyone. Your first film doesn’t need to be a million dollar feature. Know what you want to make and why you are making it…. then make it!

HC: So, what are you working on at the moment?

CA: We are just working on the edit of a feature Black Fawn Film’s produced with Breakthrough Entertainment called Bed Of The Dead which was directed by Jeff Maher (Who was the DP on Bite). As well we just had the world premiere of Antisocial 2 (sequel to our 2013 horror Antisocial). In the next month we will also start releasing details on Black Fawn Films/Breakthrough Entertainment’s new feature The Sublet which was directed by John Anslie (Writer of Jack Brooks: Monster Slayer). After that we are shooting another 2 or 3 films this year.

HC: Chad Archibald, thank you very much.

CA: Thank you!!


MORE INTERVIEWS
Interview with Bill Watterson director of Dave Made a Maze
Posted on Sunday 4th November 2018
William Watterson

At Grimmfest 2017 we had the chance to view one of the most original pieces of cinema we'd seen in a long time, Dave Made a Maze. Directed by Bill Watterson it's an intelligent, thought-provoking film that deserves to reach a global audience and will be released here early 2019. We chatted to Bill about this incredible movie.

HC: Where did this concept come from?

WW: Three places: Steven was underway on a script called 'Operation: Death Maze,' or something cool like that. Portions of it were re-purposed after he jibed with a story I told about my mom coming home and seeing an incredible fort that I'd build in my bedroom, and concluding that I'd gotten lost within it when I d...

SHARE: READ MORE
Interview with Paul Hyett director of Peripheral
Posted on Friday 2nd November 2018
Paul HyettPaul Hyett is a firm FrightFest favourite. His work jumps from genre you genre with ease but still retains that "Hyett" feeling in each piece. His latest work, Peripheral is having its UK Premiere at the FrightFest Halloween 2018 event so we decided to chat to Paul about this and his view on technology.

HC: How did the project of Peripheral come together?

PH: Peripheral was bought to me by the original producer, he thought I'd be a good fit. Originally he had pitched me a one woman in a room, contained location about bad technology theme. It didn't feel appealing as after Howl, which was a big film in terms of cast, VFX, stunts etc and I was looking for a more challenging film logisticall...

SHARE: READ MORE
Interview with Julian Richards, director of Reborn
Posted on Wednesday 17th October 2018
Julian Richards

Ahead of the World premiere screening of Reborn at FrightFest Halloween, Julian Richards discusses the torturous challenges of Daddy's Girl, why he wishes every actress was like Barbara Crampton and future plans, including directing the English language remake of Rabies.

HC: After six years away from directing, you have two films, Reborn and Daddy's Girl poised for distribution. Why these two very different films now?

JR: My previous film Shiver was completed in 2012 and it took longer for me to get back into the directing saddle because of commitments I had to my sales company Jinga Films. The company was growing quickly and needed more of my time and energy. We had grown from handling th...

SHARE: READ MORE
Interview with Jules Vincent, co-writer and producer of Alive
Posted on Thursday 4th October 2018
Jules Vincent

Grimmfest 2018 is well underway and delivering some memorable movie moments, and one of the best is showing on Sunday, Alive. This cracking film sees the return of Grimmfest favourite Rob Grant as director and has been co-written and co-produced by Chuck McCue and Jules Vincent. Here Jules tells all about this brilliant piece.

HC: Where did the idea for Alive come from?

JV: We'd talked about writing a horror screenplay for a number of years before we finally came up with the right idea. We're both big fans of classic horror and we love the works of Hitchcock, Carpenter, Friedkin, and Cronenberg so in a way we had a very specific style and feel in mind before we even had the story. A...

SHARE: READ MORE
Interview with Olivier Afonso director of Girls With Balls
Posted on Wednesday 3rd October 2018
Olivier Afonso director of Girls With Balls

Grimmfest 2018 kicks off tomorrow and one of the many highlights of the four day event is the blood-splattered shocker Girls With Balls. We chatted to it's director Olivier Afonso about this fab film and his career as an SFX artists.

HC: What inspired you to write Girls With Balls?

OA: My co-writer and I we wanted to write a trash comedy to entertain an audience because we love festivals: the atmosphere, people screaming, laughing... Personally, I'm inspired by the eighties and nineties movies such as of Sam Raimi, Peter Jackson, Alex de la Iglesia. We wanted to make a survival movie but with strong women, a girl ...

SHARE: READ MORE
Interview with Ezequiel Endelman and Leandro Montejano, the creative forces behind Crystal Eyes
Posted on Saturday 15th September 2018
Ezequiel Endelman and Leandro Montejano

FrightFest 2018 exposed attendees to horror from all over the world and one that made an incredibly stylish and retro impact was the superb giallo inspired shocker, Crystal Eyes. Here the co-writers and co-directors Ezequiel Endelman and Leandro Montejano tell us all about this affectionate love letter to the classics of the 80s.

Where did the idea for Crystal Eyes come from?

Crystal Eyes was supposed to be the third episode of our web-series called No Podras Dormir Esta Noche (You Won't Sleep Tonight) which paid homage to different horror sub genres in each episode, and eventually it turned into a feature film. We love Giallo si...

SHARE: READ MORE
Exclusive interview with Adam Green, director of Hatchet.
Posted on Thursday 13th September 2018
Adam Green director of Hatchet

Ahead of Horror Channel's UK TV Premiere of Hatchet on Friday 14th Sept, director Adam Green gives an exclusive interview about his beloved franchise and what the future holds for Victor Crowley...

Hatchet is finally getting its first showing on UK TV, courtesy of Horror Channel. We're excited, are you?

I couldn't be more excited! I've always said that even though Hatchet may have world premiered at the Tribeca Film Festival in NYC, it was at FrightFest in London where "Victor Crowley" was truly born. FrightFest was "the screening heard around the world" and the UK audience was so enthusiastic over Hatchet that every genre festival on t...

SHARE: READ MORE
Interview with Tom de Ville, director of Corvidae
Posted on Wednesday 5th September 2018
Tom de Ville director of Corvidae

HC: This is your first short as a director, what inspired you to write this script?

TdV: I read a really interesting article about how smart crows are, in particular how they can hold grudges. Apparently a group of scientists had gone out and harassed a murder of crows whilst wearing masks. If they went back wearing the masks, the crows would remember them and fight back. If they didn't wear the masks, the crows would leave them alone. This made me start thinking about what would happen if someone tried to save a crow from a bunch of kids who were trying to kill it. Would the other crows from its murder remember this? And what would they do to help her?...

SHARE: READ MORE
Interview with Stewart Sparke, director of Book of Monsters
Posted on Wednesday 5th September 2018
Director Stewart Sparke watches a scene

HC: Your last movie, The Creature Below was two years ago, what's life been back since then?

SS: Since The Creature Below premiered at Frightfest in 2016 things haven't really stopped for myself and my collaborator Paul Butler. We were lucky enough to have the film released on DVD and VOD in over eight countries under various names. I think my favourite has to be Japan's Leviathan X: From the Deep! The film even had a theatrical release in Taiwan which was quite surreal as it was playing opposite Thor Ragnarok over there so overall, we've been completely blown away by everything that's happened. Paul and I are always coming up wit...

SHARE: READ MORE
Interview with Ferdinando D'Urbano actor, writer, producer of The Laplace's Demon
Posted on Tuesday 28th August 2018
Ferdinando D'Urbano - Director of Photography Producer COL

A stand-out movie from FrightFest 2018 tested the brain power of those who saw it. The Laplace's Demon is an incredibly powerful piece so we chatted to one of the creatives behind it, Ferdinando D'Urbano.

HC: I'd never heard of Laplace's Demon theory before, can you give us a quick explanation of what it is?

FDU: The Laplace's Demon is a philosophical theory of the early 1800s. Pierre Simon Laplace was a French mathematician who in his work "Essai philosophique sur les probabilites" (A philosophical essay on probabilities), theorized that if there were an intellect capable of knowing al...

SHARE: READ MORE
Interview with Andre Gower director of Wolfman's Got Nards
Posted on Monday 27th August 2018
Wolfman's Got Nards

HC: You had already starred in a lot of stuff before The Monster Squad came along, did you think that this was just "another" acting job?

AG: At the time, it was just that. The next audition, the next project. However, once on set and seeing what you were a part of, we realized quickly that this was something bigger and more unique than anything we had done before or may even get to do in the future.

HC: Were you a fan of the Universal monsters at that time?

AG: I always had an appreciation for the classics even as a kid. As you mature, you keep that appreciation and learn more about it and how it affects the present and realize these were very important...

SHARE: READ MORE
Interview with John Rocco and Abiel Bruhn the writers and directors of The Night Sitter
Posted on Sunday 26th August 2018

HC: Where did the idea for The Night Sitter come from?

JR: From the beginning of this story, I had my childhood home in Nashville in mind as the perfect location. After several months of convincing, my parents allowed us to film in their house. It's a pretty amazing feeling to have grown up in the same location that we'd eventually film our first feature in! We were able to incorporate all the parts of my house that used to scare me as a child and weave them into a story about witches, which was extremely fun and nostalgic at times. While developing the story, I tried to recall the scary thoughts I had when I was Kevin's age.

AB: Finding an inspiring location (the house has this stran...

SHARE: READ MORE
Interviews Archive: 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006
PICK OF THE WEEK
Don't Blink
DON'T BLINK
Thursday 20th December
9.00 PM
Girls Against Boys
GIRLS AGAINST BOYS
Wednesday 12th December
9.00 PM
Star Trek: Enterprise
STAR TREK: ENTERPRISE
Friday 21st December
7.00 PM