ARTICLES

LATEST | FEATURES | INTERVIEWS | NEWS | FRIGHTFEST | REVIEWS

Interview With Chillerama Co-Director Adam Green
By James Whittington, Monday 8th July 2013

Adam Green On Set Of Hatchet IIThe superb shocker Chillerama was given its UK Television premiere in March on the Horror Channel and can be seen tonight at 10.55pm. This comic horror anthology was directed by four of the most talented directors around at the moment; Adam Rifkin, Joe Lynch, Adam Green and Tim Sullivan.

Here Adam Green talks about this and what he thinks of the state of horror at the moment.

HC: Your story for Chillerama could be looked at as being controversial by some, how did you pitch it to the other directors?

AG: Actually, Adam Rifkin pitched me the title (The Diary Of Anne Frankenstein) when the four of us first met up to discuss potentially doing this project. He said, "Green, you’re Jewish- you should do Anne Frankenstein." I said, "But Rifkin, you're Jewish, too. Why don’t you take that one?". He replied, "Yeah, but what if instead you did it?" And that was sort of it. Though the phrase "The diary of Anne Frankenstein" is a joke that’s been around for decades, I have to admit I was still scared to death of it at first. I mean, who wants to touch that title with a ten-foot pole? Unfortunately, we live in a world full of people who literally seek out reasons to be offended and who love nothing more than to be “outraged” so that they can get attention. Especially coming off of Hatchet 2 and all of the controversy I had just lived through with that film’s public battle with the MPAA and its assassination from cinemas here in the US… the last thing I wanted was to be put in the spotlight for ridiculous negative reasons again. However, right there in that first meeting I immediately came up with the idea of doing a piece that would be a complete mockery of Hitler and not something that could possibly be taken seriously even for a moment. I started getting really excited about doing a true black and white Universal Monsters style film and once I had the idea of casting Joel David Moore (who knows not a single word of German) as Hitler and surrounding him with authentic German speaking actors who would play it straight… I was no longer afraid of the title but truly inspired by it. Hell, I was going to get to make my own Frankenstein Monster! How could I turn that down? As a Jewish person, I reviled in the fun of making a clown out of Hitler and I channelled my inner Mel Brooks (one of my biggest comedic idols) while I wrote the script. The interesting thing about Anne Frankenstein is that the Frank family is only in the movie for a few seconds as part of the set-up. I barely even made reference to the holocaust or the atrocities that took place in World War 2. In fact, though it may be the most controversial title in Chillerama, Anne Frankenstein is probably the tamest piece in the film and the least offensive segment of all. I’ve seen the film with audiences all over the world and only once has someone ever said they were offended by it after watching it. The guy was a self-proclaimed Neo Nazi who accused me of “painting the Fuhrer like a clown”. As the son of a Hebrew teacher, I considered that moment a victory. There is a fantastic documentary on the DVD and Blu-ray release of Chillerama where the cast, crew, and I discuss not only how we technically made Anne Frankenstein but all of the thought that went into the delicate process of making a comedy set in one the most horrific and devastating time periods our world will ever know. I highly suggest checking it out.

HC: To me its Monty Python at its creative peek meets classic Universal horror, would you agree?

AG: Wow. That’s a very big compliment and yes, that was exactly what I was going for. I walk away from every screening feeling so incredibly proud of the piece. Reviews, awards, and accolades… those are all nice. But as a comedian, there is no feeling of accomplishment greater than hearing an audience howl with laughter to the point that they drown out the film itself. You can’t fake laughter like that. There are no politics or agendas behind that kind of uproarious laughter. It’s the most primal and real reaction you can hope to get and when it happens universally across oceans and language barriers… it’s a wonderful thing.

HC: Do you think the horror genre is in good health at the moment?

AG: I’m excited to see what the next decade will hold. Looking back, filmmakers my age who came onto the scene in the past ten years or so were saddled with some very difficult hurdles. Not only was the “trend” all about remakes over originals (both with the studios who churned the remakes out and the fans who supported them in droves) but we also saw the indie financing industry take a nosedive with budgets and distribution as internet piracy wreaked havoc on us. There was never a harder time than this past decade to get an original (decent budgeted) horror movie made and distributed. But now that remakes have kind of run their course (at least as far as being the only horror films studios will finance- they’re now out of recognizable titles to remake!) and people are starting to see the light about internet piracy (on both sides of the coin)… I am optimistic that more and more original horror movies will get a chance to be made and to be seen. I hope that this next wave of new horror story tellers has an easier time getting their movies made than my generation had and I can’t wait to see what they bring to the table. As a genre- we’re always alive and well. Horror will never die and we will always survive the passing trends because we’re a “community” unlike fans of other genres. Just walk by the “sleepy queue” for FrightFest and look at the die hard fans standing in line over-night for tickets (not even knowing 100% what the programming will exactly be yet). It’s the true horror fans like that who always make this an easy question for me to answer. “Are we in good health?” Well, who needs health when you’ve got the living dead as part of your community? Of course we’re fine! We’ve got zombies! The rest of ya’ll are f***** though.

HC: You must have been pleased that Chillerama got its UK premiere on the Horror Channel?

AG: I’ve had a very special connection with the UK audience ever since Hatchet first premiered at UK FrightFest in 2006 and so I’m always especially excited when a new film of mine premieres across the pond. The Horror Channel has been incredibly supportive of my career over the years so this is like a double-win. Who knows? Perhaps Holliston will wind up on the Horror Channel when it arrives in the UK? You never know!

HC: Would you like to be part of another anthology film such as the recent ABC's Of Death?

AG: I was approached for ABC's Of Death when they first started putting the project together but I passed. I was in the middle of post-production on Chillerama when they started assembling their team of directors and the thought of doing another anthology film at that time just wasn’t appealing to me, as fun as the project sounded and as terrific as the people behind it were. While I can never say “never”, right now another anthology just isn’t in the cards for me. Remember, with Chillerama I didn’t just write and direct a segment. My company (ArieScope Pictures) also produced it and put the money and distribution together to make it happen. That’s a hell of a lot of responsibility/heartache and so I couldn’t just make my segment and “let the chips fall where they may”. When you produce a film it is essentially an STD for your company. It never goes away and it is never really over. Wait, did I really just compare Chillerama to syphilis? Yup. Have at it, critics and haters. You’re welcome for that one.

HC: How much involvement have you had with Hatchet III?

AG: I wrote it, I produced it, I’m presenting it, I cast most every actor in it, I was there for every step of pre-production, filming, and post-production, I surrounded our new director with my incredible ArieScope crew, and I had final cut of the film. So let’s just say that it won’t feel like I ever left. If you’re a fan of the first two films I think you’re going to really like what we did with Hatchet III.

HC: Adam Green, thank you very much.


Related show tags: CHILLERAMA
MORE INTERVIEWS
Interview with Bill Watterson director of Dave Made a Maze
Posted on Sunday 4th November 2018
William Watterson

At Grimmfest 2017 we had the chance to view one of the most original pieces of cinema we'd seen in a long time, Dave Made a Maze. Directed by Bill Watterson it's an intelligent, thought-provoking film that deserves to reach a global audience and will be released here early 2019. We chatted to Bill about this incredible movie.

HC: Where did this concept come from?

WW: Three places: Steven was underway on a script called 'Operation: Death Maze,' or something cool like that. Portions of it were re-purposed after he jibed with a story I told about my mom coming home and seeing an incredible fort that I'd build in my bedroom, and concluding that I'd gotten lost within it when I d...

SHARE: READ MORE
Interview with Paul Hyett director of Peripheral
Posted on Friday 2nd November 2018
Paul HyettPaul Hyett is a firm FrightFest favourite. His work jumps from genre you genre with ease but still retains that "Hyett" feeling in each piece. His latest work, Peripheral is having its UK Premiere at the FrightFest Halloween 2018 event so we decided to chat to Paul about this and his view on technology.

HC: How did the project of Peripheral come together?

PH: Peripheral was bought to me by the original producer, he thought I'd be a good fit. Originally he had pitched me a one woman in a room, contained location about bad technology theme. It didn't feel appealing as after Howl, which was a big film in terms of cast, VFX, stunts etc and I was looking for a more challenging film logisticall...

SHARE: READ MORE
Interview with Julian Richards, director of Reborn
Posted on Wednesday 17th October 2018
Julian Richards

Ahead of the World premiere screening of Reborn at FrightFest Halloween, Julian Richards discusses the torturous challenges of Daddy's Girl, why he wishes every actress was like Barbara Crampton and future plans, including directing the English language remake of Rabies.

HC: After six years away from directing, you have two films, Reborn and Daddy's Girl poised for distribution. Why these two very different films now?

JR: My previous film Shiver was completed in 2012 and it took longer for me to get back into the directing saddle because of commitments I had to my sales company Jinga Films. The company was growing quickly and needed more of my time and energy. We had grown from handling th...

SHARE: READ MORE
Interview with Jules Vincent, co-writer and producer of Alive
Posted on Thursday 4th October 2018
Jules Vincent

Grimmfest 2018 is well underway and delivering some memorable movie moments, and one of the best is showing on Sunday, Alive. This cracking film sees the return of Grimmfest favourite Rob Grant as director and has been co-written and co-produced by Chuck McCue and Jules Vincent. Here Jules tells all about this brilliant piece.

HC: Where did the idea for Alive come from?

JV: We'd talked about writing a horror screenplay for a number of years before we finally came up with the right idea. We're both big fans of classic horror and we love the works of Hitchcock, Carpenter, Friedkin, and Cronenberg so in a way we had a very specific style and feel in mind before we even had the story. A...

SHARE: READ MORE
Interview with Olivier Afonso director of Girls With Balls
Posted on Wednesday 3rd October 2018
Olivier Afonso director of Girls With Balls

Grimmfest 2018 kicks off tomorrow and one of the many highlights of the four day event is the blood-splattered shocker Girls With Balls. We chatted to it's director Olivier Afonso about this fab film and his career as an SFX artists.

HC: What inspired you to write Girls With Balls?

OA: My co-writer and I we wanted to write a trash comedy to entertain an audience because we love festivals: the atmosphere, people screaming, laughing... Personally, I'm inspired by the eighties and nineties movies such as of Sam Raimi, Peter Jackson, Alex de la Iglesia. We wanted to make a survival movie but with strong women, a girl ...

SHARE: READ MORE
Interview with Ezequiel Endelman and Leandro Montejano, the creative forces behind Crystal Eyes
Posted on Saturday 15th September 2018
Ezequiel Endelman and Leandro Montejano

FrightFest 2018 exposed attendees to horror from all over the world and one that made an incredibly stylish and retro impact was the superb giallo inspired shocker, Crystal Eyes. Here the co-writers and co-directors Ezequiel Endelman and Leandro Montejano tell us all about this affectionate love letter to the classics of the 80s.

Where did the idea for Crystal Eyes come from?

Crystal Eyes was supposed to be the third episode of our web-series called No Podras Dormir Esta Noche (You Won't Sleep Tonight) which paid homage to different horror sub genres in each episode, and eventually it turned into a feature film. We love Giallo si...

SHARE: READ MORE
Exclusive interview with Adam Green, director of Hatchet.
Posted on Thursday 13th September 2018
Adam Green director of Hatchet

Ahead of Horror Channel's UK TV Premiere of Hatchet on Friday 14th Sept, director Adam Green gives an exclusive interview about his beloved franchise and what the future holds for Victor Crowley...

Hatchet is finally getting its first showing on UK TV, courtesy of Horror Channel. We're excited, are you?

I couldn't be more excited! I've always said that even though Hatchet may have world premiered at the Tribeca Film Festival in NYC, it was at FrightFest in London where "Victor Crowley" was truly born. FrightFest was "the screening heard around the world" and the UK audience was so enthusiastic over Hatchet that every genre festival on t...

SHARE: READ MORE
Interview with Tom de Ville, director of Corvidae
Posted on Wednesday 5th September 2018
Tom de Ville director of Corvidae

HC: This is your first short as a director, what inspired you to write this script?

TdV: I read a really interesting article about how smart crows are, in particular how they can hold grudges. Apparently a group of scientists had gone out and harassed a murder of crows whilst wearing masks. If they went back wearing the masks, the crows would remember them and fight back. If they didn't wear the masks, the crows would leave them alone. This made me start thinking about what would happen if someone tried to save a crow from a bunch of kids who were trying to kill it. Would the other crows from its murder remember this? And what would they do to help her?...

SHARE: READ MORE
Interview with Stewart Sparke, director of Book of Monsters
Posted on Wednesday 5th September 2018
Director Stewart Sparke watches a scene

HC: Your last movie, The Creature Below was two years ago, what's life been back since then?

SS: Since The Creature Below premiered at Frightfest in 2016 things haven't really stopped for myself and my collaborator Paul Butler. We were lucky enough to have the film released on DVD and VOD in over eight countries under various names. I think my favourite has to be Japan's Leviathan X: From the Deep! The film even had a theatrical release in Taiwan which was quite surreal as it was playing opposite Thor Ragnarok over there so overall, we've been completely blown away by everything that's happened. Paul and I are always coming up wit...

SHARE: READ MORE
Interview with Ferdinando D'Urbano actor, writer, producer of The Laplace's Demon
Posted on Tuesday 28th August 2018
Ferdinando D'Urbano - Director of Photography Producer COL

A stand-out movie from FrightFest 2018 tested the brain power of those who saw it. The Laplace's Demon is an incredibly powerful piece so we chatted to one of the creatives behind it, Ferdinando D'Urbano.

HC: I'd never heard of Laplace's Demon theory before, can you give us a quick explanation of what it is?

FDU: The Laplace's Demon is a philosophical theory of the early 1800s. Pierre Simon Laplace was a French mathematician who in his work "Essai philosophique sur les probabilites" (A philosophical essay on probabilities), theorized that if there were an intellect capable of knowing al...

SHARE: READ MORE
Interview with Andre Gower director of Wolfman's Got Nards
Posted on Monday 27th August 2018
Wolfman's Got Nards

HC: You had already starred in a lot of stuff before The Monster Squad came along, did you think that this was just "another" acting job?

AG: At the time, it was just that. The next audition, the next project. However, once on set and seeing what you were a part of, we realized quickly that this was something bigger and more unique than anything we had done before or may even get to do in the future.

HC: Were you a fan of the Universal monsters at that time?

AG: I always had an appreciation for the classics even as a kid. As you mature, you keep that appreciation and learn more about it and how it affects the present and realize these were very important...

SHARE: READ MORE
Interview with John Rocco and Abiel Bruhn the writers and directors of The Night Sitter
Posted on Sunday 26th August 2018

HC: Where did the idea for The Night Sitter come from?

JR: From the beginning of this story, I had my childhood home in Nashville in mind as the perfect location. After several months of convincing, my parents allowed us to film in their house. It's a pretty amazing feeling to have grown up in the same location that we'd eventually film our first feature in! We were able to incorporate all the parts of my house that used to scare me as a child and weave them into a story about witches, which was extremely fun and nostalgic at times. While developing the story, I tried to recall the scary thoughts I had when I was Kevin's age.

AB: Finding an inspiring location (the house has this stran...

SHARE: READ MORE
Interviews Archive: 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006
PICK OF THE WEEK
The Abominable Snowman
THE ABOMINABLE SNOWMAN
Sunday 23rd December
7.00 PM
The Eye
THE EYE
Tuesday 18th December
9.00 PM
Tales from the Crypt
TALES FROM THE CRYPT
Sunday 23rd December
10.40 PM