LATEST | FEATURES | INTERVIEWS | NEWS | FRIGHTFEST | REVIEWS Interview with Richard Elliot, Managing Director of 88 Films
By James Whittington, Saturday 17th March 2018
Recently I've been lucky enough to review some rather tasty Blu-rays from 88 Films. This company has been behind amazing releases of titles such as A Cat in the Brain, Anthropophagous and Don't Go in the Woods...Alone. So I decided to chat to managing director Richard Elliot about 88 Films and how they survive in a cut-throat market.
HC: How did 88 Films start?
RE: 88 Films started after James and I met working for another label and it was the usual "we think we can do it better than the boss" scenario. So we slowly developed an idea of what we wanted to do after work down the pub and after lots of head scratching and pork scratchings and some setbacks BE Movies was born... which quickly became 88 Films! From that point we've never really looked back, we both love working in the business and working to promote and market films every day.
HC: How do you decide on which movies you want to release?
RE: There are lots of factors that go into deciding what to release. Ultimately the main factor I suppose is "will anyone want to buy it?" After that we have to have an interest in the film, it has to have viable materials, it has to be available for a period of time and be at a "reasonable" price and we also have to decide if it sits well in our catalogue and whether we can give it 100%.
HC: What are your budgets for creating "extras"?
RE: If Calum is reading this... it is actually very small! He and Naomi Holwill have created some miracles for us. It actually varies from product to product depending on sales expectations and availability of talent/experts to talk about the films. We have produced some great feature productions with Naomi and Calum though including Eaten Alive which can be found on Zombi Holocaust and Me Me Lai Bites Back which can be found on our jammed release of Man from Deep River. And I believe they have a Category 3 documentary coming soon which fits in well with our Hong Kong range.
HC: Your use of original artwork for covers really recreates the glory years of VHS during the 80s, is this deliberate?
RE: Yes 100%. When you're dealing with straight to video titles from the 80's and 90's the artwork plays such a huge part of the experience and the memory. It was the only tool distributors had to make you pick up the box and take it to the counter to rent it. People might not remember or recognise a title of ours but when they see the cover it can jolt their memory. Plus so much 80's artwork is majorly cool it isn't it!
HC: Are there any releases from other labels you've seen, and you've thought "We could have done better than that"?
RE: Yes, but only from Screenbound.
HC: Which title has caused you the biggest headache to release and have you had any issues getting movies passed uncut?
RE: Oh dear, where do we start? We've had several titles cut over here, once for a child being involved in a murder - that was Spanish Chainsaw Massacre - but the rest of the time for animal cruelty which although its historical and attitudes were different back then from a personal point of view it's very hard to argue about too strongly. They cut cock-fighting from Man from Deep River even though it was filmed in Thailand where cock-fighting is still legal to this day. So go figure. I mean we wouldn't want to watch a cock-fight and we agree it is barbaric and horrible and cruel but we also don't think you can cut something when it is legal in another country and filmed out there... Not to mention this was 1972 for goodness sake. God help the BBFC if they ever go to the Philippines where there are cock-fighting arenas. I guess they will have to censor an entire country (laughs). Cut films definitely affect the sales though so we try to avoid films that might be cut where we can. In terms of Production nightmares we've definitely had a few but hopefully you can't tell at the end of it.
HC: In a world of downloads and increasing internet piracy, how difficult is it for an independent label like yours to survive?
RE: I would say running 88 Films and doing what we do is a lifestyle thing, we both love our job and going to work is never a chore, stressful sometimes yes but never a chore. We know we're never going to make any serious money out of this business but at the moment it's going OK and despite a bit of a downturn in the last few months we hope to be around for a long time to come. That's mainly why we concentrate on website exclusives because it helps us to build a closer and hopefully stronger relationship with our customers which we will need as the DVD/Blu-ray market continues to shrink.
HC: Do you find collectors like myself enjoy the physical product more?
RE: I certainly hope so. Personally, I completely get the user-friendliness and high quality of Netflix and Amazon Prime but would I want that to be my only way to view Lord of the Rings, Terminator, Indiana Jones, Star Trek V, The Toolbox Murders? Most definitely not! There is something so wonderful about being able to feel a product in your hands and display it in pride of place. I love the journey home from HMV with my new purchase and the anticipation of watching it when I get back. You just don't get that with digital, and you never will.
HC: What's your favourite line of 88 Films releases and what's your favourite release so far?
RE: I love the Italian Collection, I think it's our most consistently strong line and we've released a really great mixture of little known and notorious films that I'm very proud of (plus there are plenty more to come in the future) In terms of a favourite release, probably our multiple versions of The Toxic Avenger. The franchise sold really well and to get our little logo into so many homes is pretty cool. From a technical point of view, I'm really pleased with how our second attempt at Anthropophagous came out, we had great packaging, really solid extras and the film looked and sounded fabulous. But it's a downer Calum didn't want us to re use 42nd St Memories. We called him a kn*b for that (laughs).
HC: So, what does the future hold for 88 Films?
RE: More of the same hopefully, we're planning a deluxe hard box release for later this year in our wonderful Italian Collection with a huge book to accompany it which if it goes down well we will aim to repeat but beyond that we're going to continue to hunt down as many cool niche releases as we can... and we'll probably drink a lot of coffee doing it!
Richard Elliot, thank you very much.
Related show tags: A CAT IN THE BRAIN, BLOOD HARVEST, DOGS MORE INTERVIEWS Interview with Andy Nyman, co-writer, co-director and star of Ghost Stories
Posted on Monday 9th April 2018
I've met Andy Nyman on many occasions over the last decade or so, and over that time I've watched his career constantly go from strength to strength. To call him multi-talented would be an understatement and along with Jeremy Dyson has created the must-see horror movie of 2018, Ghost Stories. Here he chats about the stage play, Ghost Stories as well as how it changed on its way to the big screen.
HC: When did you first meet co-writer and co-director Jeremy Dyson?
AN: Jeremy and I met at a Jewish Summer Camp in 1981, and you just get thrown together in dorms of four people and Jeremy is from Leeds and all my family are from Leeds so I used to spend most of my weekends up in Leeds so we instantly ha...SHARE: READ MORE John Krasinski talks directing and starring in 'A Quiet Place'
Posted on Friday 6th April 2018
In case you hadn't heard, A Quiet Place has opened in cinemas nationwide.
The film, starring real-life couple, John Krasinski (US adaptation of The Office and 13 Hours) and Emily Blunt (Sicario, Wind Chill and The Devil Wears Prada) takes place in a post-apocalyptic(-ish) environment, in which strange wild creatures that hunt by sound have destroyed a significant amount of the population.
Krasinski and Blunt's characters, husband and wife Lee and Evelyn try to lead a life with their family as quietly (and by that we mean literally) as possible, in able to ensure their survival.
We sat down with the director and one half of Krasinski-Blunt to talk about the film, what scares him the most, and which...SHARE: READ MORE Interview with David Howard Thornton, star of Terrifier
Posted on Monday 26th March 2018
If you're a fan of slasher movies then you'll have to check out the bood-splattered shocker Terrifier. The movie is a full-blown, hair-raising homage to grindhouse slashers that introduces a new murderous icon in the form of Art the Clown. Art id surely destined to become a true horror anti-hero and here David Howard Thornton, the guy who plays art, chats about this brilliantly brutal movie and what he's up to at the moment.
HC: What movie or person inspired you to want to work in the film industry?
DT: I would say that would be the film Who Framed Roger Rabbit film wise. I was obsessed with that film when it first came out, and still watch it at least once a year when I need some inspiration. It meshe...SHARE: READ MORE Interview with Paul Urkijo, director of Errementari: The Blacksmith and the Devil
Posted on Thursday 1st March 2018
One thing that Horror Channel FrightFest prides itself in is by championing new talent. This year's Glasgow event is no different with a whole host of newbies bringing their first features. A real highlight is Paul Urkijo's Errementari: The Blacksmith and the Devil which is a sumptuous piece that Terry Gilliam would be proud of. Here he chats to us about this stunning movie.
HC: Where did the idea for Errementari: The Blacksmith and the Devil come from?
PU: I was inspired by the Basque story "Patxi Errementaria". He was registered by JM Barandiaran, an anthropologist priest who dedicated his life to recording stories and legends of the Basque Country. It is a legend about a blacksmith who was so ev...SHARE: READ MORE Interview with Adam MacDonald, writer and director of Pyewacket.
Posted on Wednesday 28th February 2018
There have been a number of occult and demonic movies over the last few years but none have come close to the tension and terror of Adam MacDonald's Pyewacket. The superb piece of cinema is showing at Horror Channel FrightFest Glasgow this week so I had a quick chat with Adam about this superior shocker.
HC: Have you always been a horror fan?
AM: It really started when I was about 7 years old when my older brother showed me Evil Dead. I couldn't believe what I was watching, it truly rocked me. The card scene in the film did not leave my mind for days. That film is stained on my brain. I was terrified. But then I had a realisation that I loved that feeling. It was primal. Then I watched The Shinin...SHARE: READ MORE Interview with Kelly Greene, writer and director of Attack of the Bat Monsters
Posted on Tuesday 27th February 2018
Making movies can be a tough business but to have to wait almost two decades to release your work takes true dedication. At Horror Channel FrightFest Glasgow this weekend Kelly Greene's Attack of the Bat Monsters is finally unleashed. Here he tells us the story behind this celebration of 1950s creature features.
HC: You were inspired to write Attack of the Bat Monsters when you were researching 50s movies, did it take long to write?
KG: It took quite a while because I was working 50 to 60 hours a week at a video production facility while raising a 2-year old and 8-year old, along with my wife, who was also working. I would write at night between 9 and 11pm, and maybe a little more ...SHARE: READ MORE Interview with Patrick Magee, writer and director of Primal Rage
Posted on Monday 26th February 2018
There's been a spate of "bigfoot-style, beast in the woods" types of movies recently but none have come anywhere near Primal Rage. This superior creature feature from Patrick Magee will be having its European Premiere at Horror Channel FrightFest Glasgow this Friday so I decided to have a chat with this very talented and creative person.
HC: Did you know from a young age you wanted to work in the film industry?
PM: Since a very young age I was always into, even obsessed, with movies. Specifically horror movies, monster movies really. As a hobby, I got really into special make-up effects and drawing. It got to the point where I was so obsessed with it, I decided when I was a teen that I ha...SHARE: READ MORE Interview with Gabriela Amaral, writer and director of Friendly Beast
Posted on Sunday 25th February 2018
As we get ready for the trip to Scotland for this year's Horror Channel FrightFest Glasgow I've been lucky enough to chat to Gabriela Amaral about her powerful movie Friendly Beast which is getting its UK Premiere at the event.
HC: Was there a certain piece of work or person that inspired you to work in the industry?
GA: Yes, there was. I am a huge fan of Alfred Hitchcock and I decided to study cinema because of him. In the beginning, I didn't know what would I do with movies. Would I be an academic? A film critic? A director? I just knew I had to live doing something that had to do with movies. I graduated in Communication Studies in Brazil where I studied horror movies and literature (specific...SHARE: READ MORE Interview with Ruth Platt, director of The Lesson
Posted on Wednesday 6th December 2017
On the eve of Horror Channel's network premiere screening of The Lesson, director Ruth Platt talks about the decision to quit RADA, why her film isn't 'torture porn' and what the future holds.
The Lesson received its World Premiere at FrightFest. How did you react when it was chosen? And what was the experience like?
RP: I was really excited when I found out we'd been picked - we got a call from the team, and they were passionate about the film, and they are such a knowledgable and experienced small team, Greg, Paul, Alan and Ian, and it meant so much. Especially when the making of it had been such an arduous and difficult process! I had no idea how people would react to the film - it was su...SHARE: READ MORE Interview with John Shackleton director of Panic Button
Posted on Wednesday 15th November 2017
As social media horror feature Panic Button gets a remastered DVD and Download release, writer and producer John Shackleton reflects on the film's inspirational journey.
To start at the beginning, what was the genesis or the seed of the idea for Panic Button?
JS: The model of how to make a film actually came before the concept. I'd made a short film with a group of trainees using a bunch of self-imposed restrictions for practicalities sake, to make sure we completed and delivered within the three-week timeframe of the training scheme, who were my employers. The rules were quite simple - no more than five minutes' walk from the office (we couldn't afford a van), no dialogue (we did...SHARE: READ MORE Interview with Damien Leone director of Terrifier
Posted on Saturday 28th October 2017
Ahead of the UK premiere of his latest film Terrifier at the Horror Channel Frightfest Halloween event today, director Damien Leone talks about the 'Art' of extreme clowning, his debt to Tom Savini and a terrifying Halloween experience...
Art, The Clown initially appeared in your 2008 short The 9th Circle, then the 2011 award-winning short Terrifier and in your first feature All Hallow's Eve. What made you decide to give him a fourth outing?
DL: Up until this point I never felt like I fully showcased Art's potential. I believe between the short films and All Hallows' Eve, there only exists about 20 minutes of Art the Clown screen time. For a character who's done so little, he seems to really resonate with horr...SHARE: READ MORE Interview with Mathieu Turi director of Hostile
Posted on Wednesday 25th October 2017
Ahead of the UK premiere of his debut feature Hostile at the Horror Channel Frightfest Halloween event, director Mathieu Turi shares his admiration for Tarantino, describes the challenges of filming in three continents and reveals his 'magic hour'.
You were born in Cannes so you grew up with film all around? When did you know for sure you wanted to direct?
MT: I think it's always been there. As a child, I used to steal my dad's VHS camera to make mini-movies. They were basically all about my Jurassic Park toys eating my dog or invading the garden. Later, I did more elaborate short films with friends, instead of studying. Then, I remember watching Braveheart and the making of the ...SHARE: READ MORE Interviews Archive: 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 PICK OF THE WEEK
Thursday 3rd May
Sunday 6th May
Sunday 6th May