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By James Whittington, Wednesday 14th March 2007 Rosie Fletcher is a horror writer and journalist whose work has appeared in many places, most regularly at the website www.horrortalk.com. Here she gives Zone Horror readers an exclusive on set report from a new zombie movie and lets us know exactly what it’s like to play one of the undead. By the way, she’s third from the left in the snap!
Day with the Dead
Sunday morning at ten o’clock is traditionally a time for sleeping in my household but today I’m going to drag myself out of bed, traipse to a cul-de-sac in Twickenham and be a zombie for the day. I tell myself the early start will be worth it, even if the shoot is horribly amateur and disorganised, simply because of the pleasure I’ve had explaining my plans for the weekend at the pub the Friday before (“No, I don’t mean I’m going to be tired and hung-over, I’m going to be a zombie”).
I’m here because I want to see what goes on behind the scenes of a low budget British horror movie. I’ve long been a fan of the genre and I want to see how a production company, which claims to work with almost no budget, goes about making a feature length zombie film.
The movie is Colin; first feature from low budget production company Nowhere Fast Productions.
“The film is about a guy who’s bitten, dies and comes back to life in the first ten minutes of the film. The rest of the movie is from the zombie’s perspective,” Director Marc Price explains. “I think the best stuff that can be done with the genre has already been done and so the best we can hope for with this film is to show an alternative perspective and make something that’s kind of interesting, and also challenging.”
From their myspace page they seem almost evangelical about the fact that they have no financial backing.
“Nowhere Fast Productions is about as cheap as it can get. Most of our projects are made for under £20 […] It was very important to us from the start to attempt to make this film using nothing more than the enthusiasm and inventiveness of those involved”
Horror films seem to lend themselves to low budget film making; in horror-history films like Evil Dead and The Texas Chainsaw Massacre, to name two seminal American examples, have been highly influential and were made for very little money
Despite notable exceptions, the likes of movies such as 28 Days Later, Severance, Neil Marshall’s excellent Dog Soldiers and The Descent, and of course Shaun of the Dead, the British film industry seems to be some way away from its hey-day in terms of producing internationally renowned horror movies.
I asked Adrian Hennigan, of the BBC Film Network (a BBC website that hosts and showcases new British filmmaking), about the types of submissions they get.
“Generally we're inundated with comedies, gritty dramas and cheap 'n' cheerful animations (in that order), but only receive a handful of horror pics. Sadly, most of these seem to be inspired by Hammer Horror and believe that the secret of horror is to have someone being pursued through woodland by an unseen killer.”
But perhaps new British filmmakers like Price could be about to inject some new life into the British horror genre.
At the heart of low budget filmmaking in the UK there’s Raindance. Raindance runs training courses for low budget filmmakers as well as the Raindance Film Festival and Raindance Film Productions. Its founder, Elliot Grove, thinks that horror can be a natural avenue to take for ambitious filmmakers without a budget.
“Horror films can get a release without named actors based solely on the concept of the “horror”. And horror films, in a peculiar way, are easier to film on a low budget simply because horror suits itself to low budget effects (and people will excuse cheesy effects). With the right script, audiences can easily be asked to suspend their disbelief.”
Sadly, as a film reviewer I’ve seen numerous examples of low budget-horror films that seem to think nothing of sacrificing acting ability, decent effects, characterisation, and narrative structure, perhaps precisely because of low expectations of the genre. However, when I looked at the clips and shots available on the Nowherefast myspace page “low-budget” isn’t what struck me at all. What I saw was big-cast crowd scenes, beautifully made up zombies convulsing among convincing body parts, a stake emerging from a man’s chest and a haunting image of hideously blinded girls crawling out of a basement, all backed by a John Williams-esque score.
Price is full of smiles and enthusiasm, and sporting an impressive handlebar moustache. He tells me he’s grown it so he can be in the film as an extra if need be, but I’m not sure I believe him. Some of the cast and crew are already here including chief make-up artist Michelle Webb. Before Colin, Webb was living in LA, working on music videos for the likes of Justin Timberlake and Jessica Simpson and on high profile blockbusters such as X-Men 3. Needless to say she’s not getting paid for this job and is supplying all her own equipment.
Webb has no trouble getting paid work – she’ll be chief make-up artist on a much bigger budget zombie movie later in the year, and is soon to take on the role of art director for her first feature. I ask her why she’s agreed to do this. She tells me she thought it would be a nice opportunity to meet some new people and get some new experience.
“I think whoever you are and whatever you do you can never know everything. It’s always good to try new things.”
While she carefully gives me a full “Chelsea smile”, complete with broken teeth (fragments of extra strong mints) poking out of the side of my face, I grill her about Hugh Jackman (lovely man apparently).
Hollywood ambition, British heart
Marc Price is certainly not alone in terms of British filmmakers who haven’t let a lack of budget suppress their ambitions.
After three years in the making, at age 24 Neil Oseman completed his epic fantasy/Sci-Fi movie Soul Searcher. With this film he managed to create spectacular set pieces, including an impressive sequence with a fight on a moving train (the Train to Hell, no less), which subsequently explodes. The film looks amazing, and has had some critical success. He achieved this for only £26,000 (peanuts in the filmmaking world).
“The best resource you have as an indie filmmaker is your own drive, vision and determination.” Oseman tells me. “I was far better off making an ambitious fantasy-adventure movie that my heart was truly in and which I'd stop at nothing to complete, than a typical micro-budget three-actors-and-one-set character piece that was going to bore me to tears.”
Pat Higgins, writer and director of indie horrors Trashhouse, Killerkiller and soon to be released Hellbride says he loves the versatility of the genre.
“Although on paper I've made three horror movies, they aren't particularly alike. From my point of view I've made a midnight movie (TrashHouse), a dark thriller (KillerKiller) and a romantic comedy (Hellbride). They all just happen to feature the elements that make them easily definable as horror films.”
He tells me that in terms of visual style he tends to work very instinctively. Higgins’ movies have had their fair share of set pieces, too, including a large scale wedding scene in Hellbride, which combines complicated hair and make-up with a couple of monsters and a great deal of blood. He says he thinks dialogue is paramount to a good movie.
“It can bring you back to a movie time and time again, which holds true with everything from Casablanca to Clerks, and I try to never forget that. Even when I'm having characters get stabbed through the head by undead cheerleaders with bladed pompoms.”
Bloody faces and bloody kids
Back on set and by mid morning the zombies are made up and their human opponents have chosen their weapons (including a golf club, a catapult, and a wallpaper scraper). We’re going to have a zombie/human street fight. Our first shots involve a lot of shuffling from the zombies and a lot of running around shouting from the humans. At one point a “bomb” goes off in our zombie throng – Leigh Crocombe, Price’s housemate, regular extra (he’s played 11 different characters in the film) and general dogsbody, creates a blood splatter effect by spitting a mouthful of fake blood full-on into lead actor Alastair Kirton’s face.
Kirton trained at LAMDA (the London Academy of Music and Dramatic Art), one of the biggest and most influential drama schools in the UK. I’ve seen him act before – he was critically acclaimed in Gone, an adaptation of Sophocles’ Antigone, which won best play in the Guardian Fringe awards at the Edinburgh Festival. Later he’ll be lying in the road having his head staved in with a hammer.
A group of neighbourhood kids have gradually gathered to watch us film. One girl of about six comes over with her mother. Apparently she’s upset by the body parts strewn around the street. Price picks up half a Styrofoam leg and shows her that it’s not real. He lets her look at the camera and explains how he sets up a shot. She’s placated but perhaps still a little unsure. I give her a big grin, forgetting that it probably won’t help
By 2.30pm Kirton needs half of his head blown off. We sit in a crew member’s living room watching big brother and playing with a small dog, while Price films some dialogue shots with another LAMDA trained actor, Justin Mitchell-Davey, who’s playing a zombie slayer for the day.
When we return to the street, Kirton’s face suitably messy, the neighbourhood kids are all very curious. One girl comes to call in her brother, who’s been quietly watching us film for almost an hour. He protests he wants to watch the zombies
“Your room looks like a zombie’s been in it!” she tells him, and he follows her indignantly.
At last my big death scene comes. I’m to be shot in the head by a £1 coin with a razor blade embedded in it, fired from a catapult by Mitchell-Davey’s character. I’m in the background of the shot but I still give it my all, throwing myself to the floor dramatically as the imaginary missile strikes me in the forehead. Later I’m allowed to stay in the background, dead with eyes open and draped across the curb while, in the foreground, Kirton rises from the street, half his face missing. It’s the most fun I’ve ever had lying in the road in shirt sleeves in January with a couple of extra strong mints glued to my face.
By 4.00pm we’re all getting a bit tired. The neighbourhood kids are throwing hobnobs at the cast, the catapult has broken and the make-up and latex on my face is starting to itch. Webb is trying to glue half a Styrofoam hammer to Kirton’s head but it won’t stay. They’ve tried professional glue and latex and now they’re discussing the possibility of sellotape. Eventually more latex and a secreted elastic band seem to do the trick.
Price is still running around outside with various cast members, cheering encouragement. When Kirton shows him his head, complete with hammer, Price laughs uproariously.
“You’ve glued the wrong side of the hammer to your head”. He says. They’ll have to lose the effect.
As far as I can tell from my day as a zombie Colin is a feature made with an enormous amount of care and love from all participants. Although Marc Price hardly has a budget himself, he’s managed to get a cast of professional actors, an experienced and talented head make up artist, some decent equipment and awful lot of support. This seems to be partly because of the company’s professional approach and partly because, despite the budget, there’s a fair chance this film is actually going to be quite good. These things, along with Price’s enthusiasm and apparent eye for detail mean Colin could well be worth looking out for when it’s complete.
Marc Price, Pat Higgins and Neil Oseman, are among British filmmakers who love film, love Hollywood, love spectacle and want to make their own original, ambitious and exciting movies. And they could be just what is needed to reinvigorate the horror/Sci-Fi genre in this country.
“I'm hoping to take set pieces that would be complicated to manage with a budget of a few hundred thousand and work out a way of doing them with absolutely no money.” Price tells me. “At the same time I want to make the film look like a lot of money has been spent on it, and on top of that try to tell an engaging, emotionally-charged story that an audience can really enjoy.”
He sums it up, “It's a bit tricky, but I'm optimistic.”
Posted on Wednesday 22nd November 2017
Christmas nightmares come early on Horror Channel, as the UK's primary TV destination for genre fans serves up the UK TV premieres of Jason William Lee's slick and stylish modern take on the zombie virus, The Evil In Us and Frank Khalfoun's boundary-pushing crime slasher P2, starring Wes Bentley.
There are also network premieres for Adam Egypt Mortimer's deeply-cutting supernatural revenge chiller Some Kind Of Hate, Ruth Platt's astonishingly bravura art-house horror The Lesson, Travis Oates' powerfully disturbing thriller Don't Blink, starring Mena Suvari and Glen Morgan's gruesome Black Christmas, a remake of the classic 1974 seasonal slasher, starring popular scream queen Mary Elizabeth Winstead....SHARE: READ MORE Horror Channel devotes November to Bloody Brits and rampaging sharks!
Posted on Thursday 19th October 2017
November on Horror Channel has a distinctive cutting-edge with a Saturday night prime-time Bloody British Season, celebrating the new wave of British horror movies that reinvigorated the UK horror industry in the early 2000s. There are 9pm network premieres for Neil Marshall's sensational werewolf debut feature Dog Soldiers (2002) (Saturday 11th), his monstrous all-female star cast follow-up The Descent (2005) (Saturday 25th), Christopher Smith's underground ghost train journey through hell, Creep (2004) (Saturday 18th), and Nick Hamm's psychologically gripping The Hole (2001) (Saturday 4th), with Keira Knightley in her first significant film role.
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Posted on Tuesday 3rd October 2017 Works by Stephen King feature heavily this month on Horror Channel, which celebrates the icon's 70th year of one of horror's most prolific and popular authors. There are network premieres for his fearsome feline anthology Cat's Eye, starring James Woods and Drew Barrymore; his darkly weighty cautionary tale Stephen King's Thinner, directed by Tom Holland in his directorial debut; the science-fiction action horror Maximum Overdrive, starring Emilio Estevez; and the 2009 adaptation of his short story Children Of The Corn.
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Posted on Thursday 28th September 2017
Horror Channel FrightFest Halloween 2017 unleashes seven choice shockers for the 7th annual West End Halloween chillorama - a wits-end wallow in all things gruesome, gory and glorious.
This year, the all-day shocktoberfest is at the Empire Haymarket on Sat Oct 28, 2017 and embraces one world, one European and five UK premieres, spanning three continents.
From the emotional making of a low-budget slasher to zombie nightmares, Gothic horrors, an outrageously strange mind cult, a sci-fi alien action extravaganza, a comic strip creature feature and the last word in Killer Clowns, this year-s line-up is an eclectic mix of the quirky, unusual and extreme.
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Posted on Sunday 20th August 2017
Horror Channel has nine prime-time film premieres in September including the UK premiere of Kevin Kolsch and Dennis Widmyer's stunning contemporary occult tale of Hollywood ambition and possession, Starry Eyes.
There are also network premieres for Sam Raimi's ferociously terrifying Drag Me To Hell, Eli Roth's splatter sensation Hostel, Mike Mendes' ultimate B-Movie experience Big Ass Spider, Jonathan King's zombie sheep gore comedy Black Sheep, James Wan's creepy killer-doll horror Dead Silence, starring True Blood's Ryan Kwanten, Robert Longo's cyberpunk action thriller Johnny Mnemonic, starring Keanu Reeves, Bryan Bertnia's home-invasion chiller The Strangers, starring Liv Tyler and John Carp...SHARE: READ MORE Film Highlights for August: Frightfest Season
Posted on Monday 31st July 2017
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Posted on Tuesday 20th June 2017
Horror Channel has five prime-time Saturday night film premieres in July including the UK premiere of Brad Parker's chilling disaster horror Chernobyl Diaries. The film is written and produced by Oren Peli, who first terrified audiences with his ground-breaking thriller Paranormal Activity.
There are also network premieres for Todd Lincoln's supernatural spine-tingler The Apparition, starring Tom Felton, Don Coscarelli's surreal cult classic Phantasm, David Jung's paranormal found-footage soul-shaker The Possession of Michael King and Andrew Paquin's murderous home-invasion debut Open House co-starring his sister Anna Paquin and Stephen Moyer.
Which one will you be staying in for?
Our pr...SHARE: READ MORE Horror brings a Vincent Price classic to your screens this June plus 7 more premieres!
Posted on Friday 19th May 2017
Horror Channel has eight prime-time weekend film premieres in June including the UK premieres of Retreat, Carl Tibbets' 'menage a trois of terror' starring Thandie Newton, Cillian Murphy and Jamie Bell and R.D. Braunstein's smartly gripping I Spit On Your Grave 3: Vengeance Is Mine.
There are also network premieres for Jennifer Lynch's uncompromising and dark chiller Chained, William Malone's gruesome cyber thriller Feardotcom, starring Stephen Dorff and Natascha McElhone and Michael Reeves's highly acclaimed Witchfinder General, starring Vincent Price.
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Posted on Monday 24th April 2017
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Posted on Friday 7th April 2017
Director Julia Ducournau's first-full length outing, Raw is a must-see.
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1. It may not be as gory as you think
Its debut at the Toronto Film Festival last year garnered a wealth of media coverage, due to the films' seemingly graphic content resulting in paramedics reportedly being called after cinemagoers had fainted. When Julia heard the news, she was shocked. "I love mixing genres and I love balancing everything that I do, but I do no...
Posted on Tuesday 21st March 2017
Get ready for hooks, surgical knives and power saws as Horror Channel adds a cutting edge to April's schedule as the UK TV premiere of the Soska Sisters' See No Evil 2 heads up a season of contemporary slasher films.
The season also has the network premieres of Stewart Hendler's sadistically slick Sorority Row with Carrie Fisher, the darkly deranged Girlhouse, and Nelson McCormick's axe-crazy re-imagning of a stalk and slash classic, Prom Night.
See No Evil 2 on the 7th concerns a group of friends who pay a late-night visit to the city morgue to surprise Amy (Danielle Harris) on her birthday.
But the surprise is on them when the one-eyed corpse of brutal psychopath Jacob Goodnight (Glenn 'Kane' Ja...SHARE: READ MORE Bad Milo! and The Cottage amongst Horror Channel premieres for March.
Posted on Wednesday 22nd February 2017
Another amazing month of premieres awaits you in March as Horror has 9 fear-filled frighteners that will have you laughing and hiding in equal measure.
Dark laughs await on Friday 3rd at 10.55pm with the network premiere of Paul Andrew Williams' blood-drenched hostage thriller The Cottage, starring Andy Serkis, Reece Shearsmith and Jennifer Ellison. Feuding brothers David (Serkis) and Peter (Shearsmith) abduct a young woman (Ellison) and hole up in a remote rural cottage, But their hostage turns the tables and soon it's all for one when they find that the deranged farmer next door is the real threat. Hellraiser's Doug Bradley makes a cameo in this terror treat. There are also network premiere for Irish hit S...SHARE: READ MORE PICK OF THE WEEK
Friday 15th December
Thursday 21st December
Tuesday 19th December