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Wes Craven - The Nightmare Man
By James Whittington, Thursday 4th January 2018

"Horror films don't create fear. They release it."

Wesley Earl Craven, Wes to his friends, was born in Cleveland, Ohio August 2nd 1939 and became one of the most respected and acclaimed creatives of his generation. When he died on August 30th 2015 it came as a huge shock to all, especially those of us who heard the news whilst attending FrightFest. Gone was the man who gave the world Krug Stillo, Pluto and Horace Pinker as well as the career defining creation of Freddy Krueger. He made stars of Michael Berryman, Johnny Depp and Robert Englund and rejuvenated the horror genre not once but twice.

Horror will be celebrating the work of Wes Craven throughout January so here's a quick look at his cinematic life and his most famous pieces of work.

Craven started out as a teacher but soon moved into film editing where he honed his craft but didn't make an impression until he unleashed the censor worrying shocker The Last House On The Left in 1972. This brutal and uncompromising revenge flick woke up the horror movement and helped pave the way for other such genre defining movies such as The Texas Chain Saw Massacre.

It was in 1977 when the world sat up and took Craven seriously when The Hills Have Eyes hit cinemas. Not as brutal a LHOTL but still with a grindhouse vibe to it, this "cannibals on the rise" movie was one of the first big hits of the home video era which helped The Hills Have Eyes Part 2 to arrive in 1985. Infamous for its "dog daydream sequence" it wasn't Craven's finest moment but this is usually overlooked for in 1984 he delivered a true classic, A Nightmare On Elm Street.

This story of a child killer who returns from the dead to kill teens in their dreams was such a commercial hit that it lead to five direct sequels, the meta-movie Wes Craven's New Nightmare in 1994 and Freddy Vs Jason in 2003. With Robert Englund in the lead role the franchise made the slasher movie "fun" again and a once more a box-office favourite. Even on TV the character had his own anthology series, Freddy's Nightmares in 1988.

Craven's The Serpent And The Rainbow in 1988 was one of his most critically acclaimed movies. This tale of voodoo (supposedly based on true accounts) retained his grisly eye for detail but was also done completely straight and became one of his first movies not to worry the censor. Shocker in 1989 and The People Under The Stairs in 1991 showed Craven having fun with his audience, delivering big shocks but laced with acidic wit and social commntary.

Then in 1996 he changed the face of horror once more with a film that sparked resurgence in the slasher genre which paved the way for Michael Myers to return to the big screen a few years later, Scream. Released in 1996 Scream has everything, a superior cast, a tight script and tons of violence it proved that horror could be smart, intelligent and above all bloody good fun.

Craven was more than just a horror director, he was a writer, a producer, an actor, a man who loved the art of cinema. He could make big budget movies, small budget movies, movies with real heart and passion, movies that were made to entertain, to provoke a reaction and above all made with love. We may never see another "Wes Craven" but his influence on those who were inspired by him will live on for decades.

Throughout January, Saturday nights at 9pm on Horror will be devoted to a Wes Craven Season as Horror Channel presents a retrospective of the late great genre director's career. Four of his supernatural shockers and scream-filled slashers will be broadcast; including the network premieres of serial killer chiller My Soul To Take, his macabre masterpiece The Serpent And The Rainbow, his diabolically electrifying Shocker and the goofy, gory satire The People Under The Stairs.


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