LATEST | FEATURES | INTERVIEWS | NEWS | FRIGHTFEST | REVIEWS

Brand New - Exclusive Interview With Jon And Howard Ford Directors Of The Dead
By James Whittington, Thursday 2nd September 2010

FrightFest Jon And Howard FordHoward and Jon Ford brought their movie The Dead to FrightFest 2010 and it played to a very appreciative crowd. Its an intelligent and apocalyptic zombie movie, taking this well plundered genre to new heights. Horror Channel had the chance to speak to these rising stars about their movie and what inspired them to make it.

HC: Did you and your brother always want to work in the film industry?

Jon: Interesting question. The very term film industry implies a sausages factory mentality which I think is the problem with most movies. The Dead has been made from the heart rather than the pocket, a very rare thing these days. So in answer to your question...no not really. I didn't make The Dead because I wanted to make films I made films because I wanted to make The Dead! If that makes sense. This movie is the reason I started filmmaking! It's been my lifetime ambition! That sounds a bit dramatic but it is the truth!

Howard: I remember being completely obsessed when I was about 10 years old as to how what I was seeing on the TV or movie screen actually got there - I had no idea how films were made back then but for some reason I was hooked on being a part of that creation. I nagged our parents for a camera for my birthday & Christmas combined but at the time they couldn't afford it. When Jon got a part time Job after school I helped convince him the best use of his hard earned cash was to buy a Super 8mm camera and we went out and shot little movies with friends as actors etc. I remember wanting to make films so badly that I couldn't sleep just thinking about it! I also tried to convince some friends to cut up their clothes for a zombie short but thankfully no one wanted to be a part of it - at 13, with almost no experience it would have been shockingly bad!

HC: Do you have any favourite directors that have influenced your work?

Jon: If I had to credit one director as my main influence it would be Sergio Leone. A true master of composition and attention to detail within an epic context.

Howard: I agree with Jon, Sergio Leone was incredible but I also feel that even though some directors are not necessarily consistently good, I can still feel inspired by some of their creative choices on particular movies or even particular sequences even if the whole movie isn't good and I cant help making a mental note of lenses/camera moves, composition etc as I’m watching a film and hopefully those moments that resonate with me a director add additional inspiration to my own instincts when on set. For example, some of David Fincher’s work is beautiful and also M. Night’s The Sixth Sense contained fantastic choices, with subtlety and power.

HC: Are you a big fan of the zombie genre?

Jon: I'm a massive zombie fan especially the 70s and early 80s ones. Romero, Fulci, Grau etc I'm almost embarrassed to admit it but I can recite the dialogue off by heart for several of these movies.

Howard: I have always been a huge horror fan and The Evil Dead is probably the reason I got into film making! The original Dawn of the Dead blew me away too but my tastes in film run from the obscure to the mainstream depending what mood I’m in on any given day!

HC: Where did the idea for The Dead come from and why set it in Africa?

Jon: I started making notes on the script for this movie in the 1980s almost as a backlash to watching too many crap zombie movies, in a way I was writing the zombie film I always wanted to see. The Africa thing came about because we were looking for a stunning visual canvas in which to set our scenes, a place which could provide a threat as dangerous as the zombies themselves. We wanted beauty as well as horror on screen in the same frame! Yin and Yang.

Howard: Setting it in Africa was the hook. To be honest, I would never have wanted to make ‘The Dead’ had it not been for the setting that makes it so unique. It had to be different somehow and also give audiences something different even when there are no zombies on screen. Jon and I had shot many TV commercials in Africa and felt it was the ideal place to set it.

HC: The Dead is a very tense movie, sometimes edge of your seat stuff, was this important to you so it didn’t just become “another zombie movie”?

Jon: Thanks very much! There have been some very bad zombie movies made lately. We had to try and make this one something special. We wanted a moment by moment tension to give the audience a taste of what it might be like to be in this horrific situation

Howard: Very relieved the tension worked for you! Thanks. The film had to pay off in this respect. I hope that the film has a little bit of a rollercoaster ride about it and gives you a jolt when you least expect it, but also at times exactly WHEN you expect it to. I was very conscious of this when editing the film because its all very well being clever in the shock moments but sometimes you just want it to happen when it should happen and also I hope you think its going to happen but you’ve just been lead down the garden path..

HC: I can sense nods to George A. Romero’s Dawn of the Dead and Lucio Fulci’s Zombie Flesh Eaters, is this deliberate?

Jon: Yes there are some nods of honour to those movies that inspired us. I kind of had the music to Zombie Flesh Eaters going round in my head most of the time while shooting this film! Howard and I would also quote lines from various horror movies to relieve the tension while filming.

Howard
: There are also nods to such an insane mix of movies it could geek people out if they spot them! We must have been 8 or 10 years when we saw a movie one night on TV called Lost in the Desert about a young boy who survives a plane crash and finds himself isolated in harsh elements without food or water. Some of the vibes of that movie never left us... Also films like Le salaire de la peur (The Wages of Fear). Some of our other inspirations are so random sometimes from such an obscure horror movie it’ll be fascinating to see if audiences pick up on them.

HC: The zombies are traditional; meaning they are slow moving but driven by their taste for flesh. Why did you go for this zombie style?

Jon: Howard and myself agreed right at the start that our Zombies would creep up on their victims rather than run like Olympic athletes, fly, disappear and re-appear or some other ridiculous movement that a reanimated corpse might make. In our film once you're with the concept that the dead are coming back to life and searching for human flesh everything else is gritty and real! Come on! They're dead! Rigor mortise is setting in! It's enough to ruin anyone’s chances of a sprinting career.

Howard: Yup, at very best they should only stand a chance at the burger eating contest! The other important thing is that when you show fast moving zombies running at you, the scene instantly has to become an action sequence whereas the tension you gain through creating suspense is much a much more powerful tool and ultimately a more satisfying experience.

HC: Was it a hard movie to cast, especially the two lead characters? (I would just like to say they give stunning performances)

Jon: Thanks I agree we were very lucky to get these guys! Rob Freeman was the only guy for the job! An incredible actor and in hindsight I seriously think he is probably the only actor on earth who could have survived the suffering that he did, to make this film! Prince is a fantastic guy and the most talented up and coming Ghanaian actor. David Dontoh we had worked with before on a Guinness commercial and from then always wanted to get him in this movie.

Howard: It was logistically hard as we cast from various different continents but we are extremely happy with our choices. Rob was destined for this role, such a fantastic actor but also he refused to quit - and when I say that, I quite literally mean it. After he got Malaria and almost died, I offered Rob a way out. Jon & I would re write the script but Rob absolutely refused to quit, and I’m grateful for that as he’s fantastic to watch and I can’t imagine the film without him. Also Prince was an incredible discovery. We scoured for his role in the UK, Nigeria even the US but in he walks to the Lintas ad agency in Ghana and just nails it! I found his original audition the other day and it gave me goose bumps!

HC: It’s a character driven movie rather than effects driven; did the script go through many drafts?

Jon: Even though I had been adding to the script since the 1980s, when Howard and myself actually sat down together to write this thing through, it was very quick and we knew that we wanted to keep the raw energy it had and that if we messed about too much it might lose some of that spontaneity. Also neither of us are fans of big effects movies! You can't get emotionally moved by CGI so we wanted characters you can believe in; once you're emotionally involved then you're hooked.

Howard: Absolutely agree. We were also very conscious of not overloading it with dialogue. We wanted it to be a visual piece and avoid chit chat or cheesy dialogue - we also wanted it to be sparse as it was also about loneliness and isolation and how death strips every comfort zone away from you. Often one of us would suggest a line of dialogue and the other would shoot it down unless it was ABSOLUTELY necessary. What was great about it was we had total creative control, apart from the production nightmares of course!!

HC: Talking of effects these are remarkable and very well realised, was most of these achieved on location?

Jon: We wanted to achieve as many effects on location as possible to keep it feeling real. This also gives the actors something to work with. The problem with CGI is that even after all this time it's still in its infancy.

Howard: also, the human eye is so sharp audiences notice when something is fake. Even though they might not be able to identify what is wrong with the image. It just doesn’t sit right and that’s the problem with CGI. It was so important we did as many things as we could organically, so the audience can feel they are really in this land and on a real journey… Once you get past the fact that the dead are returning to life, everything else has to feel real!

HC: The film is at times as bleak as the landscape even apocalyptic in theme; did you fear that it might become a bit too intense?

Jon: Never! Too much tension is never enough! You're right the theme is a bit apocalyptic. To be honest if the dead do start to come back to life and attack the living it would be very apocalyptic! LOL

HC Would you like to return to the zombie genre?

Jon: There were so many things we had in the original script that had to be abandoned that these could easily fill another script. So if the fans like it then absolutely!

Howard: Yup, if the fans want it and this film proves successful then that will pave the way for more… The Dead 2 is already being talked about…. If we do do it, it will be with more money and with more armed guards!!

HC: Jon and Howard Ford, thank you very much.


MORE FRIGHTFEST
See how music can kill in Sound of Violence
Posted on Friday 23rd July 2021
Sound of Violence Cover

In thrilling new horror Sound of Violence, a young girl recovers her hearing and gains synthetic abilities during the brutal murder of her family. Finding solace in the sounds of bodily harm, as an adult she pursues a career in music composing her masterpieces through gruesome murders.

From the mind of talented new writer-director Alex Noyer and featuring a stunning lead performance from Jasmin Savoy Brown (2022's Scream, The Leftovers), Sound of Violence is being billed as one of the most original and shocking horrors of the year.

After its UK premiere at Arrow Frightfest, Sound of Violence on Blu-ray, DVD and Digital from 30th August than...

SHARE: READ MORE
Arrow Video FrightFest 2021 announces second wave of films for August Cineworld event
Posted on Thursday 22nd July 2021
Bloodthirsty-WEB3

It's full scream ahead as Arrow Video FrightFest 2021 announces its second wave of hugely anticipated Discovery Screen and First Blood titles - a summer collection of provocative, edgy and transgressive entertainment to die for. There are fourteen World and ten European/International premieres amongst the thirty-four films on offer.

Eleven countries are represented, with titles ranging from Canadian entries Bloodthirsty, Amelia Moses' simmering LGBQT+ werewolf movie and sinister isolation thriller Motherly to Francesco Erba's As In Heaven, So On Earth, a stunning Italian blend of live action and Gothic puppet animation. Then there's Peter Bergendy's sumptuous Post Mortem, an epic Hu...

SHARE: READ MORE
FrightFest resurrects its New Blood quest for new writers
Posted on Tuesday 13th July 2021
New Blood 2021 - logo

As Arrow Video FrightFest stalks the dark recesses of the big screen again, the search resumes for new writers in the horror genre through its New Blood initiative. New Blood reunites FrightFest with Giles Edwards of Queensbury Pictures with its mission to find emerging UK-based writers dedicated to the genre and nurture their projects from script to screen. Queensbury is ultimately interested in buying the finished script rather than the idea, and so, this year all successful final candidates if selected should be able to send even a rough draft of the first ten pages of their script through with their acceptance.

Already the scheme has delivered two new projects: Broadcast ...

SHARE: READ MORE
Arrow Video FrightFest unveils first wave of twenty-five films for August 2021 Cineworld event
Posted on Thursday 8th July 2021
FrightFest 2021 - Poster art-1

Arrow Video FrightFest, the UK's biggest horror and fantasy film festival, is back at the Cineworld Leicester Square from Thursday August 26 - Monday 30 August for five days of the very best of global genre cinema.

The internationally renowned event leads the way in attesting to the versatility of the genre and, despite the interruptions caused by the pandemic, this year is no exception as the twenty-five films to be presented in the main screens are revealed. They include four world premieres and eight International/European premieres.

Global events over the past eighteen months have not only altered most people's lives but have had a profoundly i...

SHARE: READ MORE
Graham Humphreys' stunning artwork for Arrow Video FrightFest 2021 celebrates the festival's cinematic return.
Posted on Friday 2nd July 2021
FrightFest 2021 - Poster art-1

Arrow Video FrightFest is proud to present Graham Humphreys' stand-out poster design for 2021, which marks the 13th appearance for his iconic Monster.

Graham revealed today: "We have a happy monster this year. Though how happy a monster should be in a horror film festival raised the question, what would make the monster happy? Last year's event was not 'live'. This year, with a return to the social interaction that makes the festival such an important event in the annual calendar, it's as if we have bypassed 2020 in a time machine, full throttle, into 2021. To celebrate - a bottle of champagne! Although the monster would probably prefer a full-blooded vinta...

SHARE: READ MORE
Interview with Adrian Langley, director of Butchers.
Posted on Tuesday 27th October 2020
FrightFest-Halloween-2020

Butchers is a superb piece of horror cinema from Adrian Langley. Here he chats about this grim and gruesome piece and his plans for the future.

HC: Where did the idea for Butchers come from?

AL: Butchers came from two of Daniel Weissenberger's old screenplays - he writes a lot - and I remixed them with some ideas that had been kicking around in my head after having read those scripts a long time ago.

HC: Did it take long to write?

AL: Not at all. Because Dan's scripts were so full already, the initial working draft only took about two weeks to put together and then I did a lot of rewriting during the prep process to streamline it to what...

SHARE: READ MORE
Interview with Andrew Thomas Hunt, director of Spare Parts.
Posted on Tuesday 27th October 2020
Spare Parts

FrightFest is all about the diversity of movies, none more so than Spare Parts from director Andrew Thomas Hunt. This superb mash-up of gladiator-style fighting and a scorching soundtrack is desitined to become a cult classic so we chatted to Andrew about this movie.

HC: Did you know from a young age that you wanted to work in the film industry?

AH: I did - from the age of 16. I was a huge fan of David Cronenberg's films, and when I discovered that he was not only from Toronto, but made his films here, it made me realize you didn't have to be from Hollywood to make movies.

HC: How did you become attached to this wild project?

AH: It was pitched to me at TIFF (Toronto Int'l ...

SHARE: READ MORE
And the winner is... Benny Loves You!
Posted on Monday 26th October 2020

The winner of the FrightFest Horror Channel First Blood Award 2020 is... Benny Loves You!

Here, Channel Manager Stewart Bridle chats to its very talented director, Karl Holt.

SHARE: READ MORE
Interview with Liam O'Donnell director of SKYLIN3S
Posted on Sunday 25th October 2020
skylin3s-poster

FrightFest Digital Edition 2 concludes tonight with an out-of-this-world premiere, SKYLIN3S. Here its writer and director Liam O'Donnell talks about this and the other entries in this sci-fi series.

HC: You've been involved with the Skyline series of movies from the start, where did the initial idea come from?

LD: Initially the idea just came from, we were sort of do it ourselves film makers and I had been living in the building we ended up shooting in. We had already been illegally shooting on the rooftop helipad for a pitch that we were developing and when Greg's (Greg Strause, director of Skyline) unit on the top floor and he walked in and saw this big, expansive view of LA...

SHARE: READ MORE
Interview with Paul Tanter director and co-writer of The Nights Before Christmas
Posted on Sunday 25th October 2020
The Nights Before Christmas-poster

Prolific creative Paul Tanter has delivered a real treat for FrightFest pass holders today, the blood-splattered shocker, The Nights Before Christmas. Here he chats about this cracker of a movie.

HC: Have you always been a fan of the horror genre?

PT: Absolutely. One of my first cinema memories is my dad taking me to see Fright Night in 1985 and there being a promotional pack of vampire teeth on every seat. I was five at the time so I'm not sure how he snuck me in there, considering it's rated 18. I grew up watching The Omen films, in parts enthralled and terrified by them. I still can't pass that church in Fulham without keeping an eye on ...

SHARE: READ MORE
Interview with Simon Phillips, star and co-writer of The Nights Before Christmas
Posted on Sunday 25th October 2020
The Nights Before Christmas-poster

Seasonal slashers are once again coming into vogue but none as brutal as The Nights Before Christmas. Here, its star and co-writer Simon Phillips tells all about this movie.

HC: Did you know from a young age that you wanted to work in the film industry?

SP: I don't know if I ever was sure I was going to be in the film industry but as a child I sure liked talking a lot and my teacher once shouted at me "They'd better pay you to talk when you grow up, because you sure like the sound of your own voice"... So perhaps it was always on the cards!

HC: Are you a fan of horror movies?

SP: To be honest they terrify me... not the o...

SHARE: READ MORE
Interview with Elza Kephart, director and co-writer of Slaxx
Posted on Sunday 25th October 2020
SLAXX_Elza_(C)photoB-Calmeau_0125FrightFest is all about originality and new talent and 2020 has been a belter of a year for such things. Slaxx from Elza Kephart is a prime example of the new and exciting creative talent that's out there at the moment. We chatted to Elza about this superb shocker.

HC: Are you a big horror movie fan?

EK: Yes, huge! I started my horror adventure when I was a pre-teen, reading Agatha Christie, R.L. Stine, Christopher Pike, Anne Rice. If there wasn't a death I wasn't interested. From that, I migrated to horror films; when I was about ten, I watched Aliens, the Fearless Vampire Hunters, Exorcist 2. I might have been a little too young, I remember being re...

SHARE: READ MORE
Frightfest Archive: 2021 | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007
PICK OF THE WEEK
Knuckleball
KNUCKLEBALL
Monday 2nd August
10.55 PM
The Innkeepers
THE INNKEEPERS
Wednesday 11th August
10.50 PM
13 Sins
13 SINS
Wednesday 11th August
9.00 PM