Exclusive Interview With Infestation Director Kyle Rankin
By James Whittington, Thursday 20th August 2009
One of the most anticipated movies of FrightFest 2009 is Kyle Rankin’s Infestation. The movie which is all about a giant insect invasion is an amazing piece (I know as I’ve had the privilege of seeing it already!) so we thought we’d hunt him down and and bug him (ha ha) for some answers.   ZH: How did you get into the movie business?   KR: Am I in it? Huh, guess so. Looks different than I thought it would. It’s still a lot of work... what’s up with THAT!? I’m self taught; started making films and videos around the age of 14. I come from the independent world, where you hit up everyone you meet to invest in your pictures. My big break came in 2003 when I submitted two clips from two short films I’d made with fellow-filmmaker Efram Potelle. We ended up besting 8,000 other hopefuls to win Ben Affleck and Matt Damon’s Project Greenlight... this meant we co-directed The Battle Of Shaker Heights with Shia LaBeouf while camera crews followed us around for a 13 episode HBO series.   ZH: Was Reindeer Games your first stab at professional writing/directing/acting etc?
KR: Yes and no. Yes because I was 23 at the time and had the lead role in a feature film I’d co-written and co-produced... no, because it’s probably not the same Reindeer Games you’re thinking of! I made an independent film on 16mm in Portland, Maine in 1996... about two years later, a major theatrical release starring Ben Affleck (ironic, given our later Greenlight connection) was released with the same name. MY Reindeer Games was released in North America last year under the new title The Girl In The Basement, so I’m happy it's finally seen the light of day. In it, I play a man named Alec who has a bad date with a woman he’s in love with, and decides to trap her in his basement for several days. Making it was an amazing learning experience, my own private film school. I’m still very proud of it.   ZH: You seem a pretty “hands on” person, do you like being in control of the projects you’re involved with?
KR: For me, being in control is the ONLY way to be involved in a project. I like having no one else to blame but myself.   ZH: Do you have a favourite role when creating a movie?
KR: I always thought I’d act... then I realized how fun and fulfilling directing is. My career goal is to be an Auteur, to write (or at least re-write) all the films I direct (so they have my personal stamp).   ZH: Let’s talk about your latest project, Infestation, where did that idea come from?
KR: From an image I had years ago of a man waking up in a big cocoon, having no idea how he got there. When I saw the beginning of 28 Days Later and the guy wakes up in a hospital I thought, "Damn, I’ve been beaten to it" Then I realized it’s an oft-used idea among Sci-Fi and fantasy films (like Day Of The Triffids) So, a lot of what I do starts with a picture or an idea for one key scene... then I expand things to see if there’s something compelling there.   ZH: Did any of the other classic creature features from the 1950's inspire you at all?
KR: I’m more a fan of the Post-Apocalyptic genre: Road Warrior, A Boy And His Dog, and Hell Comes To Frogtown. If a film starts with a lone figure stumbling across a desolate landscape (maybe with a ruined city behind them), I’m hooked. Also, giant insects hadn’t been exploited in cinema in a while... oh, and I was certainly effected by the beginning of the 1954 film Them! where two cops find the a mute girl stumbling through the desert. We find out later she’s not speaking because she saw her parents eaten by huge ants!   ZH: Did the script take long to polish off and was it hard balancing the horror and the humour elements?
KR: I did a dozen rewrites or so on the script, not counting tweaks here and there. I did find it hard to balance the horror and comedy, but I also believe we don’t live our lives in genres... so why do we expect our films to be? Haven’t we all been to a serious engagement, like church... or even a funeral... and ended up laughing at something (which is very close to crying)? Our lives are messy and complicated, so I try my best to write that way. What’s working against me is the that after a hard day, people would like to know what they’re getting when they pop in a DVD... I can’t blame them for that. SO, in trying to please both masters, I feel it’s my job to straddle genres while at the same time being true to them.   ZH: How did you go about casting?
KR: We worked with a casting director in Los Angeles named Annie McCarthy (and her company Engine). It was several months of appointments and meetings to find the right people. There’s a lot of talented actors in LA, but casting an ensemble film is a puzzle -- all the parts need to fit together. There’re often several people that could play each role, but it’s about getting a whole group assembled and how they all look and play off one another.   ZH: Talking of the cast they really do handle the premise perfectly without turning the movie into a farce, did any of them over do the comedy?
KR: I can’t recall a time when anyone overdid it. That said, I often find myself telling the actors to make it smaller while I’m on set. This isn’t because they’re hitting the comedic parts per se... but because whatever they’re doing is being pushed too hard. Many actors have a theatre background, and they’ve been taught to play their performance to the back of the house... film is about being subtle and letting the camera do the work. Also, the only kind of comedy I don’t care for is “camp” I don’t enjoy watching something that’s supposed to be funny, and you can FEEL the actors thinking they’re funny while doing it. I like comedy that comes from circumstance and character and the reality of the moment.   ZH: Was it a difficult shoot bearing in mind it has a lot of effects shots?
KR: The hardest thing was that I wrote a lot of action... and action takes twice as long to shoot as a regular scene. So, the big set pieces with the bugs took a VERY long time... and more often than not I felt rushed and left wishing I had another few weeks.   ZH: The film does look amazing, did you have a large budget?
KR: By industry standards, no. We had under 5 million... which probably sounds like a lot to independent filmmakers, but considering we had 265 VFX shots, this is really stretching things. For the money we had, I’m very impressed with the quality of the effects... both practical and digital. Both teams did an amazing job!   ZH: The movie is getting its World Premiere at FrightFest, how do you think the UK audience will react to the movie?
KR: Oh, man. I hope they like it. Naively, I think a UK audience will appreciate the story’s subtleties and random humour more... but I don’t know. I make films so people can enjoy them, so that’s all I truly hope for. I’m really looking forward to hearing some UK reactions!   ZH: Would you consider Infestation 2?
KR: If ever the day comes when the film’s been enjoyed and recouped its budget and there’s a cry for more... I’d love to make another. There’s more I’d love to do with these characters... more challenges I’d like them to face. And plus I already have a cool title: Infestation 2: Buzzkill.   ZH: Kyle Rankin, thank you very much.
KR: My pleasure. Thanks to you for your interest.


Interview with Marcel Sarmiento co-writer and director of Faceless
Posted in Features, Interviews, Friday 15th October 2021

Showing at Grimmfest Online Edition is the incredibly inventive horror/sci-fi hybrid Faceless. Here, co-writer and director Marcel Sarmiento speaks about this superb movie.

HC: Have you always been a big horror movie fan?

MS: Definitely as a kid. My first movies made with my Betamax were all about scaring one other and how gross we could push makeup effects. We mostly strangled, stabbed, and threw each other off buildings. I think as I got older, I appreciated what you could do with horror more than horror for horror's sake. I love that you can make characters do things that in any other genre you couldn't make them do and still come out the other end liking them and routing for them.

HC: Where did the idea for the movie come from and what was your writing process between the three of you like?

MS: It originated with my friend Ed and I wanting t...

Universal Monsters are back on Horror Channel and Kim Newman is here to tell you all about them
Posted in Features, Thursday 14th October 2021
Kim Newman

Respected journalist, film critic, and fiction writer Kim Newman takes us through the Universal monsters joining Horror for our Classic Horror Halloween event running from 30th-31st of October.

With Dracula (1931), Frankenstein (1931), The Mummy (1932), The Wolf Man (1941) and The Creature From the Black Lagoon (1954), Universal Pictures introduced the lasting icons of horror... combining the presence of stars Bela Lugosi, Boris Karloff and Lon Chaney Jr with the make-up artistry of Jack P. Pierce (except for the Creature who came later in the day and was designed by the extraordinary Millicent Patrick ). These are the genre's cornerstone fiends, and - despite the way they have been domesticated an...

Horror Channel goes out of this world to bring Channel premiere of Brit sci-fi thriller series UFO from October 20
Posted in Features, Wednesday 13th October 2021

Horror Channel will be continuing its commitment to bringing great cult and classic sci-fi to its audience with Season 1 of the 1970 British science fiction TV series UFO, created by Gerry and Sylvia Anderson and produced by the Andersons and TV mogul Lew Grade.

One of the best of its genre, the 26-part series combines the remarkable talents of the Andersons with those of special effects director Derek Meddings. And with a stellar cast including Ed Bishop, Michael Billington and George Sewell, it proved a popular hit at the time.

Following syndication in the US and favourable ratings, a possible second series was plann...

Horror Channel - Now on Instagram!
Posted in Features, Saturday 9th October 2021

You can never have too much Horror Channel in your life, so follow us on Instagram too!

Find us at

Classic monsters will rise this Halloween on Horror
Posted in Features, Thursday 7th October 2021
Classic Horror Halloween Banner

Famous monsters rise again!

To celebrate the Halloween weekend on Saturday 30th October and Sunday 31st October, Horror Channel presents Classic Horror Halloween, two diabolical daytime marathons highlighted by five channel premieres, including Bride Of Frankenstein, the celebrated sequel to the 1931 classic with Boris Karloff reprising his role as the Creature, Frankenstein Meets The Wolfman, featuring the original Wolfman, Lon Chaney, Jr. and Bela Lugosi as Frankenstein's monster, The Invisible Man, in which Claude Rains delivers a remarkable performance in his screen debut, Christy Cabanne's frightening chiller masterpiece The Mummy's Hand and Revenge ...

Horror Channel sponsoring Grimmfest Online 2021
Posted in News, Thursday 30th September 2021
Virtual Edition

Horror Channel is proudly sponsoring Grimmfest Online 2021 which runs 14th-17th October and will offer audiences the chance to experience the live festival programme in the comfort of their own homes, as well as enabling them to catch up on anything they might have missed at the live event.

The virtual festival will complement and sit alongside the live festival, with much of the content crossing both events. Many of the feature films and shorts that play the live festival will also be featured within the online event but there will also be some online exclusives.

Grimmfest are excited to announce two exclusive feature film presentations only available on our virtual event an...

Would you dare enter? Escape Room 2: Tournament of Champions coming home soon
Posted in News, Sunday 26th September 2021
Escape Room 2

Sequel to the box-office hit psychological thriller that terrified audiences around the world Escape Room 2: Tournament of Champions is available to Download and Keep on October 4 and to Rent on Digital, Blu-ray and DVD on October 18 from Sony Pictures Home Entertainment.

Directed by Adam Robitel (Escape Room, Insidious: The Last Key) the movie stars Taylor Russell (Escape Room, Waves), Logan Miller (Escape Room, Love Simon), Indya Moore (Queen & Slim), Holland Roden (Follow Me), Thomas Cocquerel (In Like Flynn) and Carlito Olivero (Bad Samaritan).

In this installment, six people unwittingly find themselves locked in another series of escape rooms, slowly un...

Creature-Feature mockumentary Bigfoot Hunters to be unleashed soon
Posted in News, Sunday 26th September 2021
Bigfoot Hunters - Poster

Join the hunt for the legendary sasquatch in hilarious creature feature-comedy mockumentary Bigfoot Hunter.

Meet Brian Emond, a millennial clickbait reporter longing to work on serious news stories. Unfortunately for him and his producer Zach, their network has zero faith in them and sends them into the Appalachian Mountains in search of Bigfoot. Along for the ride is their guide, Jefferey, the only cryptozoologist to have encountered the legendary sasquatch in recent times. The three set-out into the wilderness with one goal: find Bigfoot. What could possibly go wrong?

Directed by and starring Zach Lampugh, a former Adult Swim editor, and Brian Emond, a comedi...

Horror Channel unleashes primetime premieres for October
Posted in Features, Tuesday 21st September 2021
Oct line-up-social

Horror Channel has seven weekend primetime premieres line up for October, including, at 9pm on Sunday nights, the UK TV premiere of Brad Paxton's supernatural thriller Incarnate, starring Aaron Eckhart, and the channel premieres of David Cronenberg's erotic psychological chiller Dead Ringers and Juan Carlo Fresnadillo's atmospheric fantasy Intruders (2011), starring Clive Owen.

Plus, there are four premieres at 9pm on Saturday nights: Darren Lynn Bousman's nightmarish mystery Abattoir, Iain Softley's Southern Gothic-style frightener The Skeleton Key, starring Kate Hudson, dark horror comedy Mom And Dad, starring Nicholas Cage and Selma Blair and Mama, the Guillermo Del Toro exec...

Tom Paton, director of G-LOC chats about his passion for survival stories and being compared to Roger Corman
Posted in Features, Interviews, Tuesday 14th September 2021
Tom Paton on the set of G-Loc-3-1

Ahead of the Horror Channel premiere of his sci-fi action thriller G-LOC, director Tom Paton reflects on why making movies is like solving a puzzle, his passion for survival stories and being compared to Roger Corman.

Horror Channel will be broadcasting the UK TV premiere of your Sci-fi adventure G-LOC. Excited or what?

It's honesty so strange to me every time Horror Channel debuts one of my movies. The channel has been such a big part of my life growing up and informing my taste in films, that it's always a "pinch myself moment" when I see something that I've made appear on their TV listing. G-LOC is much more of a SCI-FI adventure than any ...

Escape From New York score to be released on blue vinyl
Posted in News, Wednesday 8th September 2021

Originally released on the 31st of July 2015, the vinyl edition of John Carpenter's classic 1981 thriller, Escape From New York mirrored the expanded CD release from 2000, with over 20 minutes of previously unreleased music plus music from scenes deleted from the final print and original dialogue highlights.

The masters for that CD were re-mixed from the original multi-track session tapes by long-time Carpenter associate Alan Howarth.

This is the first time on coloured vinyl for this LP, all previous pressings having been on black vinyl and will be released January 21st, 2022 thanks to Silva Screen Records.

Interview with Sean Nichols Lynch writer and director of Red Snow
Posted in Frightfest, Sunday 5th September 2021

Final film of Arrow Films FrightFest Online Edition 2021 is a fangtastic (sorry) twist on the vampire movie, Sean Nichols Lynch's Red Snow. We had a quick chat about this blood-splattered shocker which has a deep vein of humour running through it.

HC: Where did the idea for Red Snow come from?

SL: I was trying to get a different horror feature financed and was struggling to get it off the ground. It was a frustrating period for me, and I honestly felt like I'd never get to make another film. I happened to run into Dennice, who I knew from my film school days at San Francisco State. We got to talking and I started to think about how great it would be to just drop everything and ...

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