ARTICLES

LATEST | FEATURES | INTERVIEWS | NEWS | FRIGHTFEST | REVIEWS

Interview With Paul Hyett Director Of The Seasoning House
By James Whittington, Sunday 21st February 2016

Paul HyettOn the eve of The Seasoning House receiving its Network Premiere on the Horror Channel (Saturday 27th February), director Paul Hyett talks about the difficulty of casting the lead role, the virtues of listening and the proudest moment of his career (so far!)

HC: Did you know from a young age that you wanted to work in movies?

PH: Yeah, when I was in my teens. I loved movies, they were such an entertaining escape for me and horror movies were my favourites - The Thing, Nightmare On Elm Street, Friday the 13th… I decided early on that as soon as I left school I wanted to work in the film industry. Because I loved sculpting, painting and art, coupled with my love for creatures and gore, I figured that special make up effects was the way to go.

HC: You made your name working as a special effects make-up artist, can you recall what it was like being on set for the first time?

PH: Well, I went into the industry the very low budget route so it wasn’t daunting. Most of what I was working on were student films, short films and micro budget features, so everyone was learning together. It was exhilarating and so much fun learning my craft and being part of movies. I think when I got onto the more professional ones, it was a step up in responsibility and work ethic, and it was more daunting, but you grow and learn. Experience is key in this industry and I had to learn quick still being a teenager.

HC: What would you say was your greatest make-up effect?

PH: Well, it’s hard to pin down a particular make up effect, I suppose The Descent was a landmark as we were producing large scale manufacture of silicon appliances for the crawlers. As far as I’m aware, no one was really doing that. It was a real step up from foam latex, and we did so much on that film, fifty applications of crawlers, mechanical heads, dead bodies, gore effects, dead animals, stunt weapons and a thousand bones in about six weeks of prep. It was an undertaking, and a major achievement in my career.

HC: Was becoming a director always part of your career plan?

PH: Not at first. When I was a teenager, it was all about special make up effects, creatures and gore. But over the years, the thought of putting my own visions on the screen grew. I was getting so much work in prosthetics, sometimes ten films a year, running large departments, that I had no time to pursue writing and directing. But about eight years ago I decided, enough, I want to make my own movie, and so I started to really pursue it, making time to write and that’s when about four years ago, we finally came up with The Seasoning House.

HC: The Seasoning House is getting its Network Premiere on Horror Channel this month, how did the project come together?

PH: I had known the producer Michael Riley for about fifteen years at that time, and the last few years before we made TSH we had spoken about doing a film together with me in the director’s chair. At the same time I had spoken to another writer. Helen Solomen, about a project she had about sex trafficking, about a young girl trapped in a brothel. It was more a real life docu-drama, and I said I thought it would make a terrific horror thriller, I went away and wrote a fifty page pitch and then brought on a co-writer, Conal Palmer, and we developed it into a feature length script. I then pitched it to Templeheart films, they loved it and raised the money and we made it.

HC: Was it a difficult movie to cast as Rosie Day and Kevin Howarth in particular are outstanding?

PH: Well I’d known Kevin for years and thought he’d be great for the role of Viktor, a manipulative, cunning swine. The role of Angel was more difficult, we saw 130 girls in open auditions, and Rosie was in the final ten, I was worried, then Rosie came in, and she blew us away, her strength, her vulnerabilities, she was fantastic from the start, she nailed it.

HC: How nervous were you sitting in the director’s chair for the first time?

PH: Not at all, I feel more comfortable on a set than anywhere else, and I think that took away the nervousness, I had in my head what I wanted to do, and just did it, I had a great producer, and a lovely cast and crew.

HC: It’s a bleak and challenging film, what was the atmosphere like on set?

PH: It was always in our heads that we weren’t making an exploitative film, and the girls wanted to do justice to a real life horror in the world. On set it was a fun atmosphere, we all got on so well, considering the subject matter, everyone had a fun time.

HC: Was it a tough shoot?

PH: Not really, it was only four weeks long, and it was mostly just cold, The real challenge was doing a movie with strong performances, lots of stunts, wire work, VFX work, SFX elements, chases through woods in the cold winter, all in such a short space of time.

HC: How nervous were you when it premiered at FrightFest in 2012?

PH: VERY nervous! But the FrightFest crowd was lovely and so welcoming. And Alan, Paul, Greg and Ian really made it special. It was such an exhilarating experience, easily the proudest moment in my career.

HC: What did you learn of the craft of directing whilst making The Seasoning House?

PH: Always prep as much as you can, listen to your cast and crew, bring out people’s skills, let them flourish as artists. You’re as good as your cast and crew, as long as you bring a vision, and know exactly what you want it should all fall in place. I’ve been lucky to have good producers, good cast and crews on my films.

HC: Would you approach it any differently if you were to make that movie now?

PH: I would cut out Angel arriving at the woman in the pig cottage, I think it slows down the pacing at that point, but because she changes costume, we couldn’t change it in the edit. It’s the one mistake I regret, painting myself into that corner.

HC: So what can you tell us about your latest movie, Heretiks?

PH: It’s the movie I was initially going to do after The Seasoning House, when Howl came along and I jumped onto that one first. Heretiks takes place in the 17th Century, where a young woman, Persephone (played by Hannah Arterton), is saved from execution by a mysterious woman, played by Clare Higgins. She is taken to a priory to serve penance looking after the sick. However Persephone realises there is a much darker evil already there.

HC: Paul Hyett, thank you very much.


Related show tags: THE SEASONING HOUSE
MORE INTERVIEWS
Interview with Julien Seri, director of Anderson Falls
Posted on Tuesday 18th February 2020

Ahead of the UK premiere of serial killer thriller Anderson Falls at Arrow Video FrightFest Glasgow 2020, director Julien Seri reflects on this, his first 'American' experience, challenging fight scenes and the importance of personal vision.

It has been five years since we premiered Night Fare at FrightFest London, what have you been up to since then?

JS: I worked on two, very singular, projects as a producer and/or director. I signed for both with Wild Bunch, but we've failed to produce them yet. So I keep fighting. And I did a lot of commercials, TV series and music videos.

When did you first hear about the Anderson Falls script and why did you think it was perfect for yo...

SHARE: READ MORE
Interview with Adam Stovall, director of A Ghost Waits
Posted on Sunday 9th February 2020

Ahead of the World premiere of A Ghost Waits at Arrow Video FrightFest Glasgow 2020, director Adam Stovall reflects on getting through depression, creating paranormal romance and the influence of Tom Waits...

You have an interesting CV - from comedy theatre and film journalism to writing for The Hollywood Reporter and second assistant directing. Was all this a game plan to becoming a fully-fledged director?

AS: I've known since I was a little kid sitting in the basement watching the network TV premiere of Back To The Future while holding my Back To The Future storybook and waiting for them to premiere the first footage from Back To The Future 2 during a commercial br...

SHARE: READ MORE
Interview with Simeon Halligan, director of Habit
Posted on Sunday 9th February 2020

Simeon Halligan is one of the busiest people working in the industry today. Writer, director, producer, director of celebrated film festival Grimmfest, in fact the list goes on.

His latest film is the neon tinged, blood-splattered masterpiece Habit which is showing on Horror February 14th so we thought we should get the story on how he brought this shocker to the big screen.

HC: When did you first become aware of the book by Stephen McGeagh to which Habit is based?

SH: I read the book a couple of years back and really liked it. A combination of gritty realism and dark fantasy; set within a very recognisable Manchester. There's a juxtaposition in the book; from a kind of soc...

SHARE: READ MORE
Interview with Jackson Stewart, director of Beyond The Gates
Posted on Wednesday 22nd January 2020

Jack Stewart's sublime retro horror Beyond the Gates was recently shown on Horror. Jackson is one of the strongest creatives around at the moment but he took time out of his busy schedule to talk to us about this contemporary classic and his future movie plans.

HC: Was there one film that you saw growing up which gave you the idea that you wanted to work in the film industry?

JS: There were definitely a number of them; I think the ones that stick out strongest in my memory were Temple Of Doom, Batman '89, Nightmare On Elm Street 4, Raising Arizona, Back To The Future, Marnie, Army Of Darkness, The Frighteners and Dirty Harry. All of them had a big emotional impact on me. Dirty Har...

SHARE: READ MORE
Interview with acclaimed author Shaun Hutson
Posted on Friday 20th December 2019

The British horror legend Shaun Hutson is back with Testament, a new novel featuring one of his fans most loved characters, Sean Doyle so we decided to catch up with this talented chap about his acclaimed work.

HC: Was there one author who inspired you to become a writer?

SH: My inspirations were always and still are cinematic if I'm honest. Even when I first started writing my influences and inspirations came from things like Hammer films, from TV series like The Avengers (with Diana Rigg and Patrick Macnee) and from old Universal horror films. I read the Pan Books of Horror Stories when I was a kid and I think they were probably the first "literary" influences I ever had. I also read lo...

SHARE: READ MORE
Interview with Tyler MacIntyre, director of Patchwork
Posted on Thursday 12th December 2019
On the eve of Horror Channel's UK TV premiere of Patchwork on December 14th, director Tyler MacIntyre reflects on body image issues. twisting audience expectations and his admiration for current female genre directors.

HC: Patchwork finally gets its UK TV premiere on Horror Channel. Excited or what?

TM: Relieved actually. It's been a long time coming. The third screening of the film ever happened at FrightFest in Glasgow and since then I've had people asking me when it was going to come out. The UK genre fans are among the most diehard in the world, so I'm very excited to finally have it available for them.

HC: You were in attendance when Patchwork, your directorial feature debut, rece...

SHARE: READ MORE
Interview with James Moran, writer of Tower Block
Posted on Monday 25th November 2019

Writer James Moran is about to do what few other writers have done in the past, the Horror Channel Triple! He is one of the few creatives who has had three of his movies play on the channel; Cockneys Vs Zombies, Severance and now Tower Block which is playing on November 29th. So, we decided to chat to this talented chap about this superior thriller and the rest of his career.

HC: Your first movie, Severance is a huge favourite with Horror Channel viewers, were you ever tempted to pen a sequel?

JM: Thank you, I'm really glad that people can still discover it with every new screening. Everybody wanted to do a sequel, we actually had several meetings about it. Nothing came of it, they carried on with...

SHARE: READ MORE
Interview with Gary Dauberman, writer and director of Annabelle Comes Home
Posted on Saturday 23rd November 2019

Gary Dauberman has been the scriptwriter for some of the most successful horror movies of the last few years including IT: Parts 1 and 2, Annabelle and The Nun. His latest movie, Annabelle Comes Home which is also his directorial debut, has just been released onto DVD and Blu-ray. We caught up with this talented chap about his career to date.

HC: What was it about the horror genre that grabbed your imagination and made you want to become a writer?

GD: The earliest movie going experience I can remember was my parents taking me to Raiders of the Lost Ark and I was 4 or 5 or something and I had to sleep with them for a week, you know the opening up of The Ark and the face melting, a rea...

SHARE: READ MORE
Interview with Cameron Macgowan, director of Red Letter Day
Posted on Friday 1st November 2019

FrightFest 2019 exposed a lot of new talent in the movie industry and one of the stand-out pieces was Red Letter Day from Cameron Macgowan.

HC: Where did the idea for Red Letter Day come from and did it take long to write?

CM: I have long been a fan of the 'Humans Hunting Humans' subgenre of film (Battle Royale, The Running Man, Hard Target, etc.) and was inspired to set one of these films in what many people consider the 'safe' location of the suburbs. Suburban communities feel like the perfect setting for a horror film as you can walk for miles without seeing a single soul all while knowing that you are surrounded by many people. This mixed with a desire to satirise the current socio-political climate ...

SHARE: READ MORE
Interview with Carlo Mirabella-Davis, director of Swallow
Posted on Wednesday 30th October 2019

Ahead of the UK premiere of Swallow at Arrow Video FrightFest Halloween, director Carlo Mirabella-Davis reflects on the personal inspiration behind his feature debut, healing psychological wounds and his empathy for the genre.

HC: Swallow is your directorial debut. How difficult was it to get the project off the ground?

CMD: Getting a film made is a fascinating process. My late, great teacher at NYU, Bill Reilly, would always say "script is coin of the realm". The early stages involved perfecting the screenplay as much as I could, writing and rewriting until I felt confident sending it out. The sacred bond between the producer and the director is the catalyst that brings a film into being. I ...

SHARE: READ MORE
Interview with Paul Davis, director of Uncanny Annie
Posted on Wednesday 16th October 2019

Ahead of the International premiere of Uncanny Annie at Arrow Video FrightFest Halloween 2019, director Paul Davis reflects on working for Blumhouse, bemoans attitudes to British genre film funding and reveals the movies that inspire him the most...

HC: Tell us how Uncanny Annie came about?

PD: Uncanny Annie is my second movie for Blumhouse as part of Hulu's Into The Dark movie series. I had the opportunity to actually kick off last October with a feature adaptation of my short film The Body (which had its world premiere at FF in 2013). The concept was to release a movie a month, for twelve months, with each revolving around a holiday or particular day for the month of its released. With The Bod...

SHARE: READ MORE
Interview with Lars Klevberg, director of Child's Play (2019)
Posted on Thursday 10th October 2019
CHILDS_PLAY_Universal_2D_BD_Pakcshot_UKIt was the remake everyone was against! The interweb was ablaze with negativity but director Lars Klevberg and his team managed to pull off one of the best horror movies of 2019. Here he chats about the smart shocker, Child's Play.

HC: How nervous were you taking on a re-imagining of such a beloved concept and franchise?

LK: I was in fact very nervous the minute I signed on to do the movie. Before that, I worked relentlessly for weeks to get the job, but immediately after getting it my body had a very stressful reaction. I was fully aware of the legacy I was about to re-open so, I didn't sleep one minute that night.

HC: W...

SHARE: READ MORE
Interviews Archive: 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006
PICK OF THE WEEK
The Green Inferno
THE GREEN INFERNO
Saturday 29th February
10.55 PM
Prom Night
PROM NIGHT
Monday 24th February
10.55 PM
The Row
THE ROW
Friday 28th February
10.50 PM