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Sam Raimi - Hail to the King Part 2
By James Whittington, Sunday 31st May 2009
It’s been years since Evil Dead director Sam Raimi has helmed a real horror movie but on May 27th he returns to the genre with the critically acclaimed shocker, Drag Me To Hell. Here in the second of a two-part feature we take a look at his Hollywood career and how he helped form one of the most successful movie franchises ever   After Raimi impressed audiences with his super hero movie Darkman (1990) and The Evil Dead 3: Army of Darkness (1992) he was once again being chased by major Hollywood producers. But Raimi decided to move away from the genre that made him famous and delivered a contemporary slant on an age-old theme. The Quick and the Dead (1995) is a Western with a cast made up of legends such as Gene Hackman, Sharon Stone and Lance Henriksen as well as relative newcomers Leonardo DiCaprio, Russell Crowe and Jigsaw himself Tobin Bell. The movie is, as you’d expect a visual feast with Stone playing a gunslinger with a secret and Crowe as the good guy. Hackman seethes and sneers as bad guy Herod (good name, eh?) it didn’t set the box office on fire but Raimi was already carving himself a strong name as a TV Producer. His shows Hercules: The Legendary Journeys (1995-1999), Xena: Warrior Princess (1995-2001) and Cleopatra 2525 (2000-2001) became cult viewing around the world but this wasn’t all the Raimi would be attached to during the 1990’s. In 1994 Sam joined forces with Ethan and Joel Coen to write the critically acclaimed movie The Hudsucker Proxy proving he could do straight drama as well as fantasy.   But throughout the 90’s Raimi was constantly asked when Evil Dead 4 was coming and probably to move as far away as possible from such questions he delivered the atmospheric and quite beautiful thriller, A Simple Plan (1998). Dark and mysterious it was another critical hit and went on to be rewarded with two Oscar nominations. But box office gold was just around the corner when in 2002 Sam unleashed Spider-Man. This big screen outing for the webbed wonder catapulted him into the big league and cemented his reputation as a director with unique vision and the ability to horde plenty of adrenaline action packed set-pieces with intelligent and engrossing stories. Spider-Man 2 (2004) and Spider-Man 3 (2007) all cleaned up at the box office in their respected years.   But fans wanted Raimi to return to the horror genre and, at last, 2009 sees him back behind the lens directing the intense shocker Drag Me To Hell. The film concerns Christine Brown who is an ambitious L.A. loan officer with a charming boyfriend, Professor Clay Dalton. Life is good until the mysterious Mrs Ganush arrives at the bank to beg for an extension on her home loan. Should Christine follow her instincts and give the old woman a break? Or should she deny the extension to impress her boss, Mr. Jacks, and get a leg-up on a promotion? Christine fatefully chooses the latter, shaming Mrs. Ganush and dispossessing her of her home. In retaliation, the old woman places the powerful curse of the Lamia on Christine, transforming her life into a living hell. Haunted by an evil spirit and misunderstood by a sceptical boyfriend, she seeks the aid of seer Rham Jas to save her soul from eternal damnation. To help the shattered Christine return her life to normal, the psychic sets her on a frantic course to reverse the spell. As evil forces close in, Christine must face the unthinkable: how far will she go to break free of the curse?    The film is classic Raimi, there’s stunning effects, a superb plot and some incredibly scary moments. We should all hail the return of the king, back on the horror throne where he deserves to be. As for Evil Dead 4, who needs it when Sam Raimi can deliver such unique and entertaining new shockers.
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Tom Paton, director of G-LOC chats about his passion for survival stories and being compared to Roger Corman
Posted in Features, Interviews, Tuesday 14th September 2021
Tom Paton on the set of G-Loc-3-1

Ahead of the Horror Channel premiere of his sci-fi action thriller G-LOC, director Tom Paton reflects on why making movies is like solving a puzzle, his passion for survival stories and being compared to Roger Corman.

Horror Channel will be broadcasting the UK TV premiere of your Sci-fi adventure G-LOC. Excited or what?

It's honesty so strange to me every time Horror Channel debuts one of my movies. The channel has been such a big part of my life growing up and informing my taste in films, that it's always a "pinch myself moment" when I see something that I've made appear on their TV listing. G-LOC is much more of a SCI-FI adventure than any ...

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Escape From New York score to be released on blue vinyl
Posted in News, Wednesday 8th September 2021
SILLP1493-EFNY-visual-blue-transparent

Originally released on the 31st of July 2015, the vinyl edition of John Carpenter's classic 1981 thriller, Escape From New York mirrored the expanded CD release from 2000, with over 20 minutes of previously unreleased music plus music from scenes deleted from the final print and original dialogue highlights.

The masters for that CD were re-mixed from the original multi-track session tapes by long-time Carpenter associate Alan Howarth.

This is the first time on coloured vinyl for this LP, all previous pressings having been on black vinyl and will be released January 21st, 2022 thanks to Silva Screen Records.

...
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Interview with Sean Nichols Lynch writer and director of Red Snow
Posted in Frightfest, Sunday 5th September 2021
RedSnow-poster

Final film of Arrow Films FrightFest Online Edition 2021 is a fangtastic (sorry) twist on the vampire movie, Sean Nichols Lynch's Red Snow. We had a quick chat about this blood-splattered shocker which has a deep vein of humour running through it.

HC: Where did the idea for Red Snow come from?

SL: I was trying to get a different horror feature financed and was struggling to get it off the ground. It was a frustrating period for me, and I honestly felt like I'd never get to make another film. I happened to run into Dennice, who I knew from my film school days at San Francisco State. We got to talking and I started to think about how great it would be to just drop everything and ...

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Interview with Alex Kahuam writer and director of Forgiveness
Posted in Frightfest, Sunday 5th September 2021
Alex Kahuam 1 Forgiveness

Director Alex Kahuam has brought to Arrow Films FrightFest Online Edition a brutal and intelligent film, Forgiveness. Almost devoid of dialogue, it's an excursion into the raw side of reality. Here he chats about this movie and his plans for the future.

HC: Was there one movie you saw when growing up which made you want to go into filmmaking?

AK: When we were kids my brother and I my parents took us a lot to the theaters and this is where everything began for me. I just loved the experience so much and till this day I thank them because they triggered this on me and for many years filmmaking has been my life. While growing up Hollywood films have always be...

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Interview with Sarah Appleton co-writer and co-director of The Found Footage Phenomenon
Posted in Frightfest, Sunday 5th September 2021
Sarah Appleton

The final documentary of FrightFest Online Edition looks to one of the most misunderstood genres out there. The Found Footage Phenomenon dissects this often over-looked type of movie with interviews from many key players. We chatted to co-writer and co-director Sarah Appleton about this very informative piece.

HC: Have you always been a fan of horror movies?

SA: Yes, I grew up watching Hammer horror movies and Japanese horror because my dad was a film critic, so I used to look through all his VHS tapes he'd taped off the late night tv and pick something to watch. Evil Dead II was one of the first horror movies I ever saw, aged about 8.

HC: Can you recall the first fo...

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Taxi rides and crumbling hotels - Day 5 of Arrow Video FrightFest Online Edition: Part 2
Posted in Frightfest, Sunday 5th September 2021
NightDrive-poster

As we enter the final evening of Arrow Films FrightFest Online Edition 2021 there's still plenty to look forward to starting with a belter from directors Brad Baruh and Meghan Leon, Night Drive. Ride-share app driver Russell picks up his Hollywood fare Charlotte... and his whole life turns upside down. Slipping him a wad of cash, she hires him for the rest of the evening. Their first stop at her ex's place sees Charlotte running out the door clutching a tiny suitcase being chased. They make their escape, but accidentally run over a pedestrian, setting in motion a chain of gruesome events that will go to places Russell could never have imagined in his wildest dreams. What starts off as a simpl...

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Interview with Josh Stifter director of Greywood's Plot
Posted in Frightfest, Sunday 5th September 2021
GreywoodsPlot-1

There are a number of monochrome movies at FrightFest this year and one of the stand out ones is Josh Stifter's Greywood's Plot so we had a quick chat with him about it.

HC: Was there one movie you saw when you were younger that made you want to be in the filmmaking business?

JS: Beetlejuice. I saw it when I was 5 years old. My family all got the flu and my mom went and rented it. This was back in the day when you didn't have access as easily to movies so if you rented a movie, it often would get watched a couple times before it was returned. Since we had nothing else to do, we all just laid around sick watching Beetlejuice over and over. I became obsessed. It was the first tim...

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Interview with Conor Stechschulte writer of Ultrasound
Posted in Frightfest, Sunday 5th September 2021
Ultrasound-1

Based on his own graphic novel 'Generous Bosom', Conor Stechschulte has written a tight and tense script for Ultrasound which is showing today at Arrow Films Fright Online Edition. We chatted to him about the process of bringing his original idea to the big screen.

HC: Did you know from a young age that you wanted to become a writer?

CS: I did! At about 7 or 8 I went from wanting to be a fighter pilot to wanting to be a writer. My formal education is in visual art, but I've always had narratives at the heart of all the creative work that I make and have never really stopped writing in one form or another.

HC: Was there any one person who inspired you?

CS: I can't...

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Interview with Rob Schroeder director of Ultrasound
Posted in Frightfest, Sunday 5th September 2021
Ultrasound-1

The feature debut of Rob Schroeder, producer of Sun Choke and Beyond The Gates, Ultrasound is a startling puzzle box Sci-Fi mystery and playing today at Arrow Films FrightFest Online Event. We chatted to Rob about this chilling movie.

HC: Did you know from a young age that you wanted to be in filmmaking?

RS: Not really. When I was young, I loved going to the movie theatre every week, but I didn't see filmmaking as a career because in my town I didn't know any filmmakers. The movies were always so special for me and even sacred, so at a young age I did sense the magic.

HC: How did become attached to this project?

RS: I developed the project, by reaching out to Cono...

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Interview with Peter Daskaloff director and co-writer of Antidote
Posted in Frightfest, Sunday 5th September 2021
Peter Daskaloff Anitdote

Peter Daskaloff has brought his nerve-jangling movie Antidote to FrightFest Online Eidtion 2021 so we chatted to him about this complex and intriguing movie.

HC: What is your writing method when working alongside someone else?

PD: I usually write alone. But for Antidote, I had to hire a co-writer because the subject was complex. I needed another set of eyes to look at it from outside my box. Matt Toronto was recommended to me by my executive producer, Ian Michaels, who has worked with Matt before. The collaboration was a bit bumpy, but the resulting script turned out pretty good.

HC: How did you go about casting the movie?

PD: I had a casti...

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Interview with Francesco Erba writer and director of As in Heaven, So on Earth
Posted in Frightfest, Sunday 5th September 2021
Francesco Erba As In Heaven director

As In Heaven, So On Earth mixes the found footage genre with incredible animation to deliver a truly unique take on the format. The movie effortlessly moves from its gothic animation to cutting edge technology footage and brings together a tale which is emotional and utterly heart breaking in equal measure. We chatted to its writer and director Francesco Erba as it plays at FrightFest Online Edition 2021.

HC: Where did the idea for As in Heaven, So on Earth come from?

FE: As in Heaven, So on Earth was born not only from one specific idea but, as very often occurs, from many different ones, different influences and life experien...

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Interview with Casey Dillard actor and writer of Killer Concept
Posted in Frightfest, Sunday 5th September 2021
KillerConcept-2

If you managed to catch Driven the other year at FrightFest then you'll need to catch Killer Concept today. Writer Casey Dillard is back alongside director Glenn Payne but this time serial killers are the target. We chatted to Casey about this movie.

HC: It's been a couple of years since we last chatted, apart from Killer Concept, what have you been up to?

CD: Mostly avoiding Covid and trying to find work-arounds so that I can still perform safely.

HC: Where did the idea for Killer Concept come from?

CD: Glenn wanted to make a simple movie with minimal people while our core filmmaking team was unable to go to work so we kicked around a lot of ideas and KC wa...

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