LATEST | FEATURES | INTERVIEWS | NEWS | FRIGHTFEST | REVIEWS Short Cuts To Hell 2 Finalist Interview: Stanislava Buevich - Geoffrey's Heart
By James Whittington, Saturday 4th October 2014
This year’s Short Cuts To Hell competition saw some incredibly inventive entries.
Here we speak to one of the finalists, Stanislava Buevich who is behind the atmospheric tale Geoffrey’s Heart.
To vote for Geoffrey’s Heart click here.
HC: Where did the idea for Geoffrey’s Heart come from?
SB: You know I always come up with ideas in my dreams. Always. I have a dream and then I try to interpret it and make sense of it, and that's how my films come about. This was no exception. Of course dreams are never a coincidence and they are always about something deep routed in your psyche. And Geoffrey's Heart, I think is, as strange as it sounds, inspired by my experiences as a child. By the relationship I had with my parents growing up. When I was 13 my whole world changed as I got very ill and that was a turning point in my life and what inspired the premise of Geoffrey's Heart. My parents became completely different people. They were very young when they had me so I didn't get a lot of attention from them growing up, but after my illness it all changed. They became extremely overprotective and they still are. It's too much sometimes. But that shift in our relationship is what inspired Geoffrey's Heart in a way. Although it wasn't straight away apparent even to me. Geoffrey's Heart is much more than just that, but that's where it takes off.
HC: Did it take long to write?
SB: The short didn't take long at all. Couple of hours at most. I think because I had the idea for a while. I actually had this idea for the previous Short Cuts To Hell competition, but then I realised that I don't want it to be a short, I want it to be a feature film. So, I started thinking about the plot and over the course of a year I developed it in my head. I started writing the script as well but it’s far from finished.
HC: How much of the restricted budget did you use?
SB: We actually had almost exactly £666, as per the rules of the competition. We had a great camera and that's where most of the money went. But we did keep the crew well fed too.
HC: It is incredibly atmospheric with a very disturbing payoff, are you a fan of gruesome horror?
SB: First of all thanks very much for that, I was going with atmospheric. I am a big fan of smart horror and films that are made very well in the sense that they are aesthetically pleasing. Like The Shining, like Rosemary's Baby, like Let The Right One In, like hauntingly beautiful Japanese films, Battle Royale is probably my favourite film; and of course Korean horror films, Old Boy for example now that's a horror film that has everything, also like Dario Argento horror… I really don't like what's been coming out lately though, it's all just either remakes or very flat, uninspiring films that all basically have the same plot with slightly different dressing. And most of those films are really not about anything. They don't have any substance to them, and horror is such an amazing genre. It's very story oriented and you have no limits to what you can do, no rules, no right or wrong. You can really let your imagination unravel, but unfortunately few filmmakers actually do. And there is nothing more wonderful I think than actually talking about something very real through a genre that bends reality. I am also a huge fan of comedy horror and fantasy horror like many of Tim Burton's films that's another direction I like to take with my films, but not this one obviously.
HC: Did it take long to shoot and edit together?
SB: We had one day for the shoot. The last scene was especially challenging, because we were losing light very quickly but we just couldn't get the mother's reaction, camera movement and big reveal combination that I wanted. And we actually didn't get it quite right (I think it still needs a few takes) In the feature I'll make sure we get it. And I am very passionate about this project and I really hope to make it into a feature film regardless of the outcome of the competition. But it would be so great to win I've never made a feature before and looking for funding and for producers to take it on is a very challenging process. Oh, and the editing took me couple of hours. I edited it myself and all my shots were planned very carefully in advance so it was quite easy. Although, all of the shots were very long and involved camera movement. I love telling a story in as little takes as possible. And it was torture for me to cut them all up so that the film would fit into the three minute limit of the competition. But I am happy I managed it without cutting up the last shot in the end.
HC: What was the hardest part of creating Geoffrey’s Heart?
SB: It was definitely figuring out how to tell a story in just three minutes. So in the end I decided to keep it a little bit obscure, so that there is no conclusion to it. So that the viewers would hopefully be curious to see what happens next. The special effects are always challenging but so much fun. We weren't sure how we were going to go about it with the last scene at first. We actually considered real guts from the butchers, but then decided against it as it would be extremely unhygienic. So Lara Myles, who is my business partner at our production company, and also a brilliant make-up artist, created guts from kitchen rolls and silicone in the end. I thought they were great. We really don't like resorting to CGI. I really like all the effects done in camera on set as much as possible.
HC: What did it feel like seeing your work on the Horror Channel?
SB: It was really great. I just turned on the TV and there is was. I have never had anything shown on television before and that was definitely a very special moment. I even recorded it.
HC: Do you have a plan as to how to extend this idea if it wins Short Cuts To Hell 2?
SB: Yes, as I mentioned this was never a short film and the challenge for me was to shorten it not expand it. So I definitely have a plan, but I still need to work out the details. The films is essentially going to be about what a mother is willing to do in order to keep her son safe and well-fed, so she has to start somewhere not too far out of the realms of her comfort zone and then escalate as the film progresses to something she'd never thought she'd be capable of doing. Right now I am figuring out all the supporting characters so that they are all interesting and multi-layered in their own rights.
HC: Are you working on any other projects at the moment?
SB: At Clockpunk films, our production company, we've just finished shooting a long form music video, and we are still working on it to get it into shape. And I always write little ideas down that I come up with and I have tons of potential short films that I'd like to shoot sometimes soon. I am applying for various funding for those ideas.
HC: Stanislava Buevich, thank you very much.
MORE ARTICLES A stalker finds himself the prey in Eye Without a Face
Posted in News, Friday 23rd July 2021
Do you know who's watching this very moment? Brand new horror feature Eye Without a Face from director Ramin Niami (Paris, Shirin In Love) combines chills, thrills and bloody murder to bring the voyeur genre bang up to date.
This edgy movie creeps on to digital 23 August for its UK Premiere from Miracle M.
Holed up in his LA apartment agoraphobic Henry (Dakota Shapiro) spends his days hacking into the webcams of unsuspecting local young women, seeing himself as their protector and guardian angel, rather than what he really is... a stalker. But his creepy peeks take a sinister turn as he starts to suspect one of his 'friends', Laura (Vladka Verevko), is a kil...SHARE: READ MORE See how music can kill in Sound of Violence
Posted in Frightfest, News, Friday 23rd July 2021
In thrilling new horror Sound of Violence, a young girl recovers her hearing and gains synthetic abilities during the brutal murder of her family. Finding solace in the sounds of bodily harm, as an adult she pursues a career in music composing her masterpieces through gruesome murders.
From the mind of talented new writer-director Alex Noyer and featuring a stunning lead performance from Jasmin Savoy Brown (2022's Scream, The Leftovers), Sound of Violence is being billed as one of the most original and shocking horrors of the year.
After its UK premiere at Arrow Frightfest, Sound of Violence on Blu-ray, DVD and Digital from 30th August than...SHARE: READ MORE Exploitation movie that will bring out the Devil in you!
Posted in News, Friday 23rd July 2021
Directed by Domenico Paolella (The Prey/The Story of a Cloistered Nun), The Nun and the Devil AKA Le Monache di Sant'Arcangelo is a headily erotic tale of seduction and persecution detailing the sinful practices which spill out of a 16th century convent.
When the psychotically ambitious Sister Julia (Anna Heywood) vies to take the place of a dying Mother Superior by any means possible, other inmates start to lose their way. But things take a nasty turn when the nuns are subjected to a violent inquisition and their existence becomes one of torture and degradation.
Made just two years after Ken Russell's notorious Th...SHARE: READ MORE Arrow Video FrightFest 2021 announces second wave of films for August Cineworld event
Posted in Features, Frightfest, Thursday 22nd July 2021
It's full scream ahead as Arrow Video FrightFest 2021 announces its second wave of hugely anticipated Discovery Screen and First Blood titles - a summer collection of provocative, edgy and transgressive entertainment to die for. There are fourteen World and ten European/International premieres amongst the thirty-four films on offer.
Eleven countries are represented, with titles ranging from Canadian entries Bloodthirsty, Amelia Moses' simmering LGBQT+ werewolf movie and sinister isolation thriller Motherly to Francesco Erba's As In Heaven, So On Earth, a stunning Italian blend of live action and Gothic puppet animation. Then there's Peter Bergendy's sumptuous Post Mortem, an epic Hu...SHARE: READ MORE V for Vendetta: Behind the Mask now at The Cartoon Museum
Posted in News, Thursday 22nd July 2021
The Cartoon Museum has re-opened (no advance booking required) with an exciting new exhibition which celebrates the cultural impact of V for Vendetta from the classic graphic novel to the cult film classic. Tickets are available now and the exhibition is open and will be running until 31st October 2021.
V for Vendetta: Behind the Mask will chart the rise from graphic novel, to hit film and now global phenomenon as a symbol of protest. Securing rare loans from the art department of Warner Bros, The Cartoon Museum will present a history of this modern classic with original artwork and covers, as well as costumes and designs that have never been seen in the UK before.
T...SHARE: READ MORE Horror Channel raises hell in August!
Posted in Features, Tuesday 20th July 2021
August is a wicked month on Horror Channel, as the UK's number 1 destination for genre films revives some horror, sci-fi and fantasy classics - including Clive Barker's Hellraiser trilogy, which has one of the most stylish and ferociously original horror fantasy franchises ever and Night Of The Living Dead (1990), Tom Savini's colour remake of George Romero's original Night Of The Living Dead, which transcended the world of horror movies to become a film classic .
Other highlights include Re-Animator, the late Stuart Gordon's darkly comic classic, that has been acknowledged as one of the most celebrated, outrageous and original horror films of all ti...SHARE: READ MORE Fulci's The Psychic getting a Shameless release
Posted in News, Saturday 17th July 2021
Shameless is prud to present Lucio 'The Godfather of Gore' Fulci's The Psychic (aka Murder To the Tune of the Seven Black Notes) like never seen before, extensively restored from new 2K-scanned materials on August 9th.
Jennifer O'Neill, fresh from Luchino Visconti's The Innocent, plays Virginia, a woman who has had psychic powers since childhood when she sensed her mother's suicide... Now newly married, Virginia becomes plagued by waking visions of bloody deaths and meaningless torment. With the aid of her parapsychologist friend (Marc Porel), she tries to uncover the meaning of the unwanted visions only to discover they are premonitions of future deaths...
...SHARE: READ MORE Original Vs Remake: Which one do you prefer?
Posted in Features, Thursday 15th July 2021
Horror Channel has always celebrated the classics as well as the more recent chillers around. Inevitably we come across some remakes which have either caused celebration or contention among viewers.
But are all remakes bad? Here's five of the finest which are showing at the moment on Horror.
Night of the Living Dead (1990) SFX maestro Tom Savini was given the job of bringing George A Romero's all-time classic back to the big screen, and in doing so gave the classic a colourful retelling. Set during an unexplained event, namely the dead rising from their graves, strangers stranded in a house battle the undead as well as themselves. Tony Todd, Patricia Tallman, and Tom Towles ta...SHARE: READ MORE FrightFest resurrects its New Blood quest for new writers
Posted in Frightfest, Tuesday 13th July 2021
As Arrow Video FrightFest stalks the dark recesses of the big screen again, the search resumes for new writers in the horror genre through its New Blood initiative. New Blood reunites FrightFest with Giles Edwards of Queensbury Pictures with its mission to find emerging UK-based writers dedicated to the genre and nurture their projects from script to screen. Queensbury is ultimately interested in buying the finished script rather than the idea, and so, this year all successful final candidates if selected should be able to send even a rough draft of the first ten pages of their script through with their acceptance.
Already the scheme has delivered two new projects: Broadcast ...SHARE: READ MORE Arrow Video FrightFest unveils first wave of twenty-five films for August 2021 Cineworld event
Posted in Frightfest, Thursday 8th July 2021
Arrow Video FrightFest, the UK's biggest horror and fantasy film festival, is back at the Cineworld Leicester Square from Thursday August 26 - Monday 30 August for five days of the very best of global genre cinema.
The internationally renowned event leads the way in attesting to the versatility of the genre and, despite the interruptions caused by the pandemic, this year is no exception as the twenty-five films to be presented in the main screens are revealed. They include four world premieres and eight International/European premieres.
Global events over the past eighteen months have not only altered most people's lives but have had a profoundly i...SHARE: READ MORE Halloween Kills - New poster and trailer
Posted in News, Sunday 4th July 2021
Universal Pictures has unleashed the official trailer for Halloween Kills, coming to UK cinemas October 15.
In 2018, David Gordon Green's Halloween, starring icon Jamie Lee Curtis, killed at the box office, earning more than $250 million worldwide, becoming the highest-grossing chapter in the four-decade franchise and setting a new record for the biggest opening weekend in history for a horror film starring a woman.
And the Halloween night when Michael Myers returned isn't over yet.
Minutes after Laurie Strode (Curtis), her daughter Karen (Judy Greer) and granddaughter Allyson (Andi Matichak) left masked monster Michael Myers caged and burning in La...SHARE: READ MORE Space: 1999 - Soundtracks to get the vinyl treatment
Posted in News, Sunday 4th July 2021
The latest Silva Screen release in their series exploring the musical worlds of Gerry Anderson is the most extensive yet and incorporates two separate Double LP releases.
Space: 1999 (showing weekdays at 6pm on Horror) ran for two series from 1976 to 1977 and depicted the occupants of Moonbase Alpha and their struggle for survival when, after the explosion of a nuclear waste dump, the Moon is hurtled into space.
The series was the most expensive produced for British television at that time and the most musically diverse of all the shows made by Anderson for ITC. Gerry Anderson's long-time musical partner in all the previous adventures was Barry Gray and Space: 1999 proved t...SHARE: READ MORE Articles Archive: 2021 | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 PICK OF THE WEEK
Tuesday 27th July
Wednesday 4th August
Monday 2nd August